livre, publié par Art Gallery of York University, Toronto, 2009
textes en anglais
With the proliferation of digital projection, the presentation of moving images in art galleries has exploded exponentially in the process, the relationship of experimental film to the gallery circuit has shifted dramatically. This volume, coming out of Mike Hoolboom’s 2004 exhibition at the Art Gallery of York University, is a series of essays and conversations between artists, curators and programmers that delineate the complicated path from the white cube to the black box.
|Mike Hoolbloom, Philip Monk, Chris Kennedy, Yann Beauvais, et al.
|Distributed Art Publishers, Inc.