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Floris Vahoof is interested in the hybrid forms of music, visual art, and film.
His first projections -experimental films on 16 millimeter- evolved towards purely visual experiences which questioned our viewing patterns.
Inspired by structural film and early electronic music, he builds installations, creates expanded cinema performances, and releases his music.
Vanhoof makes his own instruments to explore the border between image, light, and sound.
As media-archaeologist, he confronts the digitally-spoiled audience with flickering 16mm films and 35mm slide installations - formats doomed to disappear.
He often chooses analog technology because of the greater transparency of the workflow, and because of its rich dynamic range. Cut loose from all nostalgia, he experiments with what used to be considered "hightech."
Vanhoof searches for new ideas with old media. He translates sound to image and vice-versa by connecting different incompatible media. He is especially curious about the effects his work elicits in the viewer:
How does our perception operate? Which new perspectives appear?
He performed at ISSUE Project Room New York, Café OTO London, Aural Mexico City, ZKM Karlsruhe, Donaufestival Krems, Liquid Architecture Melbourne, International Filmfestival Rotterdam, Hangar Bicocca Milano, Les Urbaines Lausanne, Xing Bologna, Electrónica en Abril Madrid, Meakusma Eupen & Bozar Brussels and was reviewed in The Wire and H_ART.
Floris Vanhoof combines homemade musical circuits and abandoned projection technologies for installations, expanded cinema performances and music releases.
Translating the one medium to the other to find how our perception operates and which new perspectives appear.
Vinyl record with 24 slides printed in 30x30cm booklet format
Limited Edition DVD of 11 films by Floris Vanhoof