Found Footage Magazine
#Issue 4 (Mars 2018)
Author(s) Scott MacDonald, Bill Morrison, Jonathan Rosenbaum, Virgil Widrich, Alejandro Bachmann, Matthew LevineThe, David J. Gunkel, Oli Sorenson, Yann Beauvais, Gracia Ramirez, Mike Hoolboom, Julie Murray, Malcolm Le Grice, Stephen Broomer
Format magazine
Year 2018
Language(s) English
Description
FFM fills the void created by the fact that there has never been, until now, any forum for the collection and sharing of information, critical thought and discussion on found footage cinema including all its manifestations: recycled cinema, essay film, collage film, compilation film, archival films, mash-up...
FFM welcomes a selection of articles and sections designed to explore the ethical, political, formal questions and content related to the culture of recycled cinema: monographs, interdisciplinary essays, interviews and opinion pieces concerning the eclectic universe of found footage filmmaking.
Contents:
Controlled Chaos: The Cinematic Unconscious of Peter Tscherkassky, by Matthew Levine
The Trace of a Walk That Has Taken Place – a Conversation with Peter Tscherkassky, by Alejandro Bachmann
Aroma for the Eye, by Virgil Widrich
Lost Material and Found Footage: Peter Tscherkassky's Dark Room—and Ours, by Jonathan Rosenbaum
A Sudden Passion 2: The Dockworker's Dream by Bill Morrison, by Scott MacDonald
Remixology: An Axiology for the 21st Century and Beyond, by David J. Gunkel
Remixing Found Footage in the Age of Mass-Oriented Networks, by Oli Sorenson
Lost Objects: A Personal Journey Through Found Footage, by Yann Beauvais
Czechoslovakia 1968: Smuggled Footage, Cinematic Excess and the Politics of Cold War Propaganda, by Gracia Ramirez
The Rule and the Exception, by Mike Hoolboom
For It to Be Found It Need Not Have Been Lost in the First Place: Thoughts and Notes on the Form, by Julie Murray
Found Footage: Some Thoughts, by Malcolm Le Grice
A Hummingbird in Reverse: On Richard Kerr's Morning…Came a Day Early, by Stephen Broomer
BOOK REVIEWS
Film History as Media Archaeology: Tracking Digital Cinema (Thomas Elsaesser, 2016), by Eszter Polonyi
Joseph Cornell Versus Cinema (Michael Pigott, 2013), by César Ustarroz
EXPLOSIVE VISIONS
An Interview with Winston Hacking, by Clint Enns
ILLUSTRATIONS by Félix Dufour-Laperrière & Dominic Etienne Simard, Michael Fleming, Cécile Fontaine, Michael Higgins, Josh Lewis, Pablo Marín, Sam Spreckley and Peter Tscherkassky.