Found Footage Magazine
#Issue 3 (Mars 2017)
Author(s) Paula Arantzazu Ruiz, Yervant Gianikian et Angela Ricci Lucchi, Atom Egoyan, Miriam de Rosa, Arine Kirstein Høgel, Michael Betancourt, Stephen Broomer, Sergi Álvarez Riosalido, David de Rozas, Edwin Rostron, Scott MacDonald, Matthew Levine, Martin Zeilinger, Antonin Charret, Nazare Soares, César Ustarroz, Thomas Draschan, Joseph Bernard, Jeroen Cluckers, Anja Dornieden & Juan David González Monroy (aka Ojoboca), Thomas Draschan, Siegfried A. Fruhauf, Makino Takashi, Ignacio Tamarit et Guillaume Vallée
Format magazine
Year 2017
Language(s) English
Pages 145 pages
Description
FFM fills the void created by the fact that there has never, until now, been any place for exchanging and sharing information, critical thought and discussion about found footage cinema including all its manifestations: recycled cinema, essay film, collage film, compilation film, archival films, mash-up...
FFM welcomes a selection of articles and sections intended to explore the ethical, political, formal questions and content related to recycled cinema culture: monographs, interdisciplinary essays, interviews and forums concerning the eclectic universe of found footage filmmaking.
Contents:
Yervant Gianikian and Angela Ricci Lucchi: Archive, Technology and Body, by Paula Arantzazu Ruiz
Our Analytical Camera, by Yervant Gianikian et Angela Ricci Lucchi
Pages of a Diary, by Angela Ricci Lucchi
A Letter to Angela and Yervant, by Atom Egoyan
ESSAYS
Essays. A Poetics of Care: Slowness, Ethics and Enchantment in Gianikian & Ricci Lucchi's Oeuvre, by Miriam De Rosa
Re-routing the Image : The Use of Haptic Interventions in Gianikian and Lucchi´s Work, by Arine Kirstein Høgel
Glitched Media as Found/Transformed Footage: Post-Digitality in Takeshi Murata's Monster Movie, by Michael Betancourt
The Success and Failure of Arthur Lipsett, by Stephen Broomer
Harun Farocki and the Archive. What Images Show, What Images Conceal, by Sergi Álvarez Riosalido
Depicting Cinema(s): Film History as Experiment. Thom Andersen's Los Angeles Plays Itself, by David de Rozas
ARTICLES & INTERVIEWS
Odds & Ends, by Edwin Rostron
Benning Goes Digital: An Interview, by Scott MacDonald
Pretending the Camera Isn´t There: Joshua Oppenheimer's Postcard From Sun City, Arizona, by Matthew Levine
Dreams Rewired: A Conversation with Manu Luksch and Mukul Patel, by Martin Zeilinger
Living Memories: Thinking Amateur Filmmaking Practices Through Archive Footage, by Antonin Charret
BOOK AND DVD REVIEWS
Cinema by Other Means, by Nazare Soares - Pavle Levi. New York: Oxford University Press, 2012
Verifica Incerta (Disperse Exclamatory Phase), by César Ustarroz - Gianfranco Baruchello & Alberto Grifi, 1964-1965. Published by JRP | Ringler: Zurich, 2015
ACTIVE ENCOUNTER
A conversation between Alejandro Bachmann and Kevin B. Lee
Disassembly: Freude, by Thomas Draschan
IMAGES
Joseph Bernard, Jeroen Cluckers, Anja Dornieden & Juan David González Monroy (aka Ojoboca), Thomas Draschan, Siegfried A. Fruhauf, Makino Takashi, Ignacio Tamarit et Guillaume Vallée