Found Footage Magazine
#Issue 3 (March 2017)
Author(s) Yervant Gianikian, Angela Ricci Lucchi
Format magazine
Year 2017
Language(s) English
Pages 142 pages
Description
FFM fills the void created by the fact that there has never been, until now, any forum for the collection and sharing of information, critical thinking and discussion on found footage cinema including all its manifestations: recycled cinema, essay film, collage film, compilation film, archival films, mash-up...
FFM welcomes a selection of articles and sections designed to explore the ethical, political, formal issues and content related to the culture of recycled cinema: monographs, interdisciplinary essays, interviews and forums concerning the eclectic universe of found footage filmmaking.
Summary:
Our Analytical Camera by Yervant Gianikian and Angela Ricci Lucchini
Pages of Diary by Angela Ricci Lucchi
A letter to Angela and Yervant by Atom Egoyan
Yervant Gianikian and Angela Ricci Lucchi : Archive, Technology and Body by Paula Arantzazu Ruiz
A Poetics of care : slowness, etics and enchantment in Gianikian and Ricci Lucchi's oeuvre by Miriam de Rosa
Re-routing the image : the use of haptic interventions in Gianikian and Lucchi's work by Arine Kirstein Hogel
Glitched media as found/transformed footage : post-digitality in Takeshi Murata's Monster Movie by Michael Betancourt
The Succes and failure of Arthur Lipsett by Stephen Broomer
Harun Farocki and the archive. What image show, what image conceal by Sergi Alvarez Riosalido
Depicting Cinema(s) : film history as experiment. Thom Andersen's Los Angeles plays itself by David de Rozas
Freude by Thomas Draschan
Odds and ends by Edwin Rostron
Benning goes digital : an interview by Scott MacDonald
Pretending the camera isn't there : Joshua Oppenheimer's Postcard from Sun City, Arizona by Matthew Levine
Dreams Rewired by Martin Zeilinger
Living Memories : thinking amateur filmmaking practices through archive footage by Antonin Charret
Book and DVD Reviews
Cinema by other means (Pavle Levi, 2012) by Nazare Soares
Verifica Incerta (Disperse Exclamatory Phase) (Gianfranco Baruchello and ALberto Grifi, 1964-1965) by Cesar Ustarroz
Active encounters, a conversation between Alejandro Bachmann and Kevin B. Lee