Patrick de Haas
Cinéma absolu. Avant-garde 1920-1930
Author(s) Patrick de Haas
Format hardcover book
Year 2018
Language(s) French
Pages 812 pages
Description
This is the most comprehensive study to date of the relationships between painting and cinema in the 1920s. Artists and poets (Duchamp, Man Ray, Picabia, Malévitch, Léger, Artaud, Moholy-Nagy, Ruttmann, Desnos...) turned cinema into a field of experimentation. Cinema thus became cubist, dadaist, abstract, constructivist, surrealist...
bibliography, index
204 black and white illustrations
ISBN 978-2-86589-111-5