Numéro 5 de Found Footage Magazine, qui est un journal des études cinématographiques distribués dans le monde entier. Il offre un contenu théorique, analytique et informatif sur les pratiques des images cinématographiques trouvés. Texte en anglais avec des photos en couleur.
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FFM comble le vide crée par le fait qu'il n'y a jamais eu, jusqu'à maintenant, aucun forum pour la collection et le partage d'informations, la pensée critique et la discussion sur le cinéma de 'found footage' en incluant toutes ses manifestations : cinéma de recyclage, film-essai, film de collage, film de compilation, films d'archives, mash-up ...
FFM accueille une sélection d'articles et des sections destinées à explorer les questions éthiques, politiques, formelles et le contenu relatif à la culture du cinéma de recylage : monographies, essais interdisciplinaires, interviews et tribunes concernant l'univers éclectique de la réalisation de 'found footage'.
DOSSIER: DIRTY MOVIES & SECOND HAND POETICS
(IN)APPROPRIATION: DIRTY MOVIES & SECOND HAND POETICS by Andre Habib
REVISITING THE DEGRADED/DEGRADING IMAGE: SUBVERSIVE DECAY, PARALLEL LEGACIES, AND RE-EROTICIZATION OF THE PORNOGRAPHIC ARCHIVE IN THE COLOR OF LOVE BY PEGGY AHWESH. by Alice Michaud-Lapointc
INTERVIEW WITH PEGGY AHWESH by Alice Michaud-Lapointe
TO STRIP AND TO TEASE: ARCHIVES AND CONCEALMENT IN FOUND FOOTAGE PORNOGRAPHY by Annaelle Winand and Eric Falardeau
INTERVIEW WITH ALEXEI DMITRIEV by Andre Habib
INTERVIEW WITH YVES-MARIE MAHE b3 Andre Habib
HIDDEN IN PLAIN SIGHT: CASTLE COMPILATIONS AND NUDIE FILMS AS LOST INTERTEXTS FOR BRUCE CONNER'S A MOVIE AND MARILYN TIMES FIVE by Louis Pelletier
INDICTMENT AND POSSIBILITY IN KEN JACOBS' STAR SPANGLED TO DEATH by Zachariah Anderson
AESTHETIC VIOLENCE IN THE ANARCHIVAL TURN: ON THE INFINITE VISIONS OF HISTORY by Kamila Kuc
THERE'S A CRACK IN THE WORLD OF APPEARANCES: THOM ANDERSEN'S SLOW WRITING by Matthew Levine
SELF PORTRAIT POST MORTEM by Louise Bourque
INTERVIEW WITH CARLOS ADRIAN° by Scott MacDonald
FOUND FOOTAGE: A (LITTLE) POLEMIC by Peter Gidal
CONSTELLATIONS ARE JUST SMALL WHITE DOTS IN THE DARK: A CONVERSATION WITH JOHANN LURF ABOUT HIS WORK * by Alejandro Bachmann
THE GREEN FOG AND THE MADDIN MIST by Jonathan Rosenbaum
BOOK REVIEWS
Archive()logy: Walter Benjamin and archival film practices (Catherine Russell. 2018) by Cesar Ustarroz Paolo Gioli: The Man without a Movie Camera (Edited by Alessandro Bordina and Antonio Somaini. 2014) by Matthew Levine
THE LOGISTICS OF SENSATION: AN INTERVIEW WITH PETER LICHTER AND BORI MATE by Dan Browne