Cahier n° 16: Loin du Vietnam
Book written by Laurent Véray.
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A riposte to the alienation of the dominant discourse and the simplistic use of images, this multiple, protean yet globally coherent work is an enclave in the history of protest cinema.
The experimental mechanism on which this film is based, mobilizing a large number of collaborators (filmmakers, actors, writers, journalists, technicians, etc.) around Chris Marker throughout 1966, fully demonstrates that political concerns are not incompatible with aesthetic questions.
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