Issue 7 of Found Footage Magazine, which is a printed film studies journal distributed worldwide. It offers theorical, analytical and informative content related to found footage filmmaking practices. Text in English and Spanish with full-color photos.
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FFM fills the void created by the fact that there has not been, up to this time, any forum for the collection and dissemination of information, critical thinking, and discussion of found footage cinema including all its manifestations : recycled cinema, essay film, collage film, compilation film, archival cinema, mash-up...
FFM accomodates a selection of articles and sections aimed at exploring issues of ethics, politics, form and content related to the culture of recyled cinema : monographs, interdisciplinary essays, interviews and opinion pieces concerning the eclectic universe of found footage film-making.
Index :
A Haunted House: The ominous abodes of Christoph Girardet and Matthias Müller, by Matthew Cole Levine
Personne : The disappearance of the white man, by Catherine Russell
Fenestra Rotunda: A score of notes and memories following the viewing of Girardet & Müller’s Meteor, by Stefano Miraglia
A Conversation with Christoph Girardet & Matthias Müller, by Alejandro Bachmann
Hitching A Ride to Heaven: The confessional as found footage, by Clint Enns
Abbas Kiarostami's Final Frame - An Elegy, by Scott Macdonald
Retracted Cinema, by Peter Freund
Being (or Seeming to be) Center Stage, by Jonatah Rosenbaum
More Is More: Paul Cronin’s A Time to Stir, by Scott Macdonald
Artavazd Pelechian’s La Nature : When cinema writes disaster, by Anna Doyle
Just Don’t Think I’ll Scream : A conversation with Frank Beauvais, by Nazaré Soares
Secrets as Surfaces : Prayers in memory of two American filmmakers, by Pablo Marín
When Forever Dies : An interview with Peet Gelderblom, by Joshua Wille
BOOK REVIEW
Absence in Cinema: The art of showing nothing, by César Ustarroz
Film and Art After Cinema, by César Ustarroz