Found Footage Magazine Issue 3 March 2017

FFM fills the void created by the fact that there has not been, up to this time, any forum for the collection and dissemination of information, critical thinking, and discussion of found footage cinema including all its manifestations : recycled cinema, essay film, collage film, compilation film, archival cinema, mash-up...

FFM accomodates a selection of articles and sections aimed at exploring issues of ethics, politics, form and content related to the culture of recyled cinema : monographs, interdisciplinary essays, interviews and opinion pieces concerning the eclectic universe of found footage film-making.

Index :

Our Analytical Camera by Yervant Gianikian and Angela Ricci Lucchini

Pages of Diary by Angela Ricci Lucchi

A letter to Angela and Yervant by Atom Egoyan

Yervant Gianikian and Angela Ricci Lucchi : Archive, Technology and Body by Paula Arantzazu Ruiz

A Poetics of care : slowness, etics and enchantment in Gianikian and Ricci Lucchi's oeuvre by Miriam de Rosa

Re-routing the image : the use of haptic interventions in Gianikian and Lucchi's work by Arine Kirstein Hogel

Glitched media as found/transformed footage : post-digitality in Takeshi Murata's Monster Movie by Michael Betancourt

The Succes and failure of Arthur Lipsett by Stephen Broomer

Harun Farocki and the archive. What image show, what image conceal by Sergi Alvarez Riosalido

Depicting Cinema(s) : film history as experiment. Thom Andersen's Los Angeles plays itself by David de Rozas

Freude by Thomas Draschan

Odds and ends by Edwin Rostron

Benning goes digital : an interview by Scott MacDonald

Pretending the camera isn't there : Joshua Oppenheimer's Postcard from Sun City, Arizona by Matthew Levine

Dreams Rewired by Martin Zeilinger

Living Memories : thinking amateur filmmaking practices through archive footage by Antonin Charret

Book and DVD Reviews

Cinema by other means (Pavle Levi, 2012) by Nazare Soares

Verifica Incerta (Disperse Exclamatory Phase) (Gianfranco Baruchello and ALberto Grifi, 1964-1965) by Cesar Ustarroz

Active encounters, a conversation between Alejandro Bachmann and Kevin B. Lee