{"product_id":"found-footage-magazine-issue-6-mars-2020","title":"#Issue 6 (Mars 2020)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuteur·e·s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eChon A. Noriega, Jesse Lerner, César Ustarroz, Scott MacDonald, Donald Brackett, Michael Betancourt, Marta Rychter, Ken Eisenstein, Justin Remes, José Sarmiento-Hinojosa, Marie-Pierre Burquier, Francesca Veneziano, Joanna Byrne, Matthew Cole Levine, Tim Grabham aka Iloobia, Keitaro Oshima, Anne-Marie Bouchard, Leandro Listorti, Giuseppe Spina, Lee Hangjun, Alex Faoro, Francisca Duran\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eFormat \u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eAnnée\u003cstrong\u003e 2020\u003cbr\u003e\u003c\/strong\u003eLangue(s)\u003cstrong\u003e anglais\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 169 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM comble le vide crée par le fait qu'il n'y a jamais, jusqu'à maintenant, aucun lieu d'échange pour la collection et le partage d'informations, la pensée critique et la discussion sur le cinéma de found footage incluant toutes ses manifestations : cinéma de recyclage, film-essai, film de collage, film de compilation, films d'archives, mash-up ...\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM accueille une sélection d'articles et des sections destinées à explorer les questions éthiques, politiques, formelles et le contenu relatif à la culture du cinéma de recylage : des monographies, des essais interdisciplinaires, des interviews et des tribunes concernant l'univers éclectique de la réalisation de found footage.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eAu Sommaire\u003c\/span\u003e\u003c\/u\u003e :\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003eESSAIS\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRecent Archival Engagements with the War to End All Wars, \u003c\/em\u003epar \u003cspan\u003eScott MacDonald\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eMemo from the Future, The trans-temporal work of Kirk Tougas, \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003epar Donald Brackett\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eFoundObjects, Generative Footage, and Machinima : Peggy Ahwesh’sShe Puppet\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Michael Betancourt\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eThe Rejection of Camera Shooting and its Implications for Found Footage Filmmaking in the Work of Jay Rosenblatt\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Marta Rychter\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eFinding One’s Feet : A pair of Ernie Gehr’s found footage videos\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Ken Eisenstein\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eARTICLES \u0026amp; ENTRETIENS\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eRemembrance of Films Past: Joseph Cornell’s Rose Hobart (A Work of Found Scholarship),\u003c\/em\u003e\u003cspan\u003epar Justin Remes\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eAn Interview with Guli Silberstein, \u003c\/em\u003e\u003cspan\u003epar José Sarmiento-Hinojosa\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe Uncanny Collages of Stacey Steers,\u003c\/em\u003e\u003cspan\u003epar Marie-Pierre Burquier\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eAn interview with Hugues Sanchez,\u003c\/em\u003e\u003cspan\u003epar Francesca Veneziano\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eCleanse, Tone, Moisturise (Conceal): As the Image is Concealed, its Intentions are Revealed,\u003c\/em\u003e\u003cspan\u003epar Joanna Byrne\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eSokurov: Whispers from the Archive\u003c\/em\u003e, \u003cspan\u003epar César Ustarroz\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eCRITIQUES DE LIVRES\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eI\u003cspan\u003esm, Ism, Ism: Experimental Cinema in Latin America\u003c\/span\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003epar César Ustarroz - \u003c\/span\u003eJesse Lerner et Luciano Piazza, 2017\u003cbr\u003e\u003cem\u003eT\u003cspan\u003eoward Fewer Images: The Work of Alexander Kluge, Matthew Cole Levine,\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e par Matthew Cole Levine - \u003c\/span\u003ePhilipp Ekardt, 2018\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eDÉMONTAGE. Films to Break Projectors\u003c\/em\u003e, par Tim Grabham aka Iloobia\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eIMAGES\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eKeitaro Oshima, Anne-Marie Bouchard, Leandro Listorti, Giuseppe Spina, Lee Hangjun, Alex Faoro, Francisca Duran.\u003c\/span\u003e\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788873150795,"sku":"SQ3939255","price":25.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/FFMagazine6.webp?v=1773411410","url":"https:\/\/re-voir.com\/products\/found-footage-magazine-issue-6-mars-2020","provider":"Re:Voir","version":"1.0","type":"link"}