{"product_id":"found-footage-magazine-issue-4-mars-2018","title":"#Issue 4 (Mars 2018)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuteur·e·s \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eScott MacDonald, Bill Morrison, Jonathan Rosenbaum, Virgil Widrich, Alejandro Bachmann, Matthew LevineThe, David J. Gunkel, Oli Sorenson, Yann Beauvais, Gracia Ramirez, Mike Hoolboom, Julie Murray, Malcolm Le Grice, Stephen Broomer\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eAnnée\u003c\/span\u003e\u003cstrong\u003e 2018\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLangue(s)\u003c\/span\u003e\u003cstrong\u003e anglais\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM comble le vide crée par le fait qu'il n'y a jamais eu, jusqu'à maintenant, aucun forum pour la collection et le partage d'informations, la pensée critique et la discussion sur le cinéma de 'found footage' en incluant toutes ses manifestations : cinéma de recyclage, film-essai, film de collage, film de compilation, films d'archives, mash-up ...\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM accueille une sélection d'articles et des sections destinées à explorer les questions éthiques, politiques, formelles et le contenu relatif à la culture du cinéma de recylage : monographies, essais interdisciplinaires, interviews et tribunes concernant l'univers éclectique de la réalisation de 'found footage'.\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eAu Sommaire :\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eControlled Chaos: The Cinematic Unconscious of Peter Tscherkassky, \u003c\/strong\u003epar Matthew Levine\u003cbr\u003e\u003cstrong\u003eThe Trace of a Walk That Has Taken Place – a Conversation with Peter Tscherkassky, \u003c\/strong\u003epar Alejandro Bachmann\u003cbr\u003e\u003cstrong\u003eAroma for the Eye,\u003c\/strong\u003epar Virgil Widrich\u003cbr\u003e\u003cstrong\u003eLost Material and Found Footage: Peter Tscherkassky’s Dark Room—and Ours, \u003c\/strong\u003epar Jonathan Rosenbaum\u003cbr\u003e\u003cstrong\u003eA Sudden Passion 2: The Dockworker’s Dream by Bill Morrison,\u003c\/strong\u003e par Scott MacDonald\u003cbr\u003e\u003cstrong\u003eRemixology: An Axiology for the 21st Century and Beyond,\u003c\/strong\u003e par David J. Gunkel\u003cbr\u003e\u003cstrong\u003eRemixing Found Footage in the Age of Mass-Oriented Networks,\u003c\/strong\u003e par Oli Sorenson\u003cbr\u003e\u003cstrong\u003eLost Objects: A Personal Journey Through Found Footage,\u003c\/strong\u003e par Yann Beauvais\u003cbr\u003e\u003cstrong\u003eCzechoslovakia 1968: Smuggled Footage, Cinematic Excess and the Politics of Cold War Propaganda,\u003c\/strong\u003e par Gracia Ramirez\u003cbr\u003e\u003cstrong\u003eThe Rule and the Exception, \u003c\/strong\u003epar Mike Hoolboom\u003cbr\u003e\u003cstrong\u003eFor It to Be Found It Need Not Have Been Lost in the First Place: Thoughts and Notes on the Form, \u003c\/strong\u003epar Julie Murray\u003cbr\u003e\u003cstrong\u003eFound Footage: Some Thoughts, \u003c\/strong\u003epar Malcolm Le Grice\u003cbr\u003e\u003cstrong\u003eA Hummingbird in Reverse: On Richard Kerr’s \u003cem\u003eMorning…Came a Day Early\u003c\/em\u003e, \u003c\/strong\u003epar Stephen Broomer\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eREVUES DE LIVRE\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003eFilm History as Media Archaeology: Tracking Digital Cinema\u003c\/em\u003e (Thomas Elsaesser, 2016), \u003c\/strong\u003epar Eszter Polonyi\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eJoseph Cornell Versus Cinema\u003c\/em\u003e (Michael Pigott, 2013),\u003c\/strong\u003e par César Ustarroz\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVISIONS EXPLOSIVES\u003cbr\u003e\u003cstrong\u003eAn Interview with Winston Hacking,\u003c\/strong\u003e par Clint Enns\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eILLUSTRATIONS \u003c\/strong\u003epar Félix Dufour-Laperrière \u0026amp; Dominic Etienne Simard, Michael Fleming, Cécile Fontaine, Michael Higgins, Josh Lewis, Pablo Marín, Sam Spreckley and Peter Tscherkassky.\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788872724811,"sku":"SQ6371067","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/f4.webp?v=1773411408","url":"https:\/\/re-voir.com\/products\/found-footage-magazine-issue-4-mars-2018","provider":"Re:Voir","version":"1.0","type":"link"}