{"product_id":"found-footage-magazine-issue-3-mars-2017","title":"#Issue 3 (Mars 2017)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuteur·e·s \u003cstrong\u003e\u003cspan\u003ePaula Arantzazu Ruiz, Yervant Gianikian et Angela Ricci Lucchi, Atom Egoyan, Miriam de Rosa, Arine Kirstein Høgel, Michael Betancourt, Stephen Broomer, \u003c\/span\u003eSergi Álvarez Riosalido, David de Rozas, \u003cspan\u003eEdwin Rostron, Scott MacDonald, Matthew Levine, Martin Zeilinger, Antonin Charret, Nazare Soares, César Ustarroz, Thomas Draschan, \u003c\/span\u003eJoseph Bernard, Jeroen Cluckers, Anja Dornieden \u0026amp; Juan David González Monroy (aka Ojoboca), Thomas Draschan, Siegfried A. Fruhauf, Makino Takashi, Ignacio Tamarit et Guillaume Vallée\u003c\/strong\u003e\u003cbr\u003eFormat \u003cstrong\u003emagazine\u003c\/strong\u003e\u003cbr\u003eAnnée \u003cstrong\u003e2017\u003c\/strong\u003e\u003cbr\u003eLangue(s) \u003cstrong\u003eanglais\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e145 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM comble le vide crée par le fait qu'il n'y a jamais, jusqu'à maintenant, aucun lieu d'échange pour la collection et le partage d'informations, la pensée critique et la discussion sur le cinéma de found footage incluant toutes ses manifestations : cinéma de recyclage, film-essai, film de collage, film de compilation, films d'archives, mash-up ...\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM accueille une sélection d'articles et des sections destinées à explorer les questions éthiques, politiques, formelles et le contenu relatif à la culture du cinéma de recylage : des monographies, des essais interdisciplinaires, des interviews et des tribunes concernant l'univers éclectique de la réalisation de found footage.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eAu Sommaire\u003c\/span\u003e\u003c\/u\u003e :\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003eYervant Gianikian and Angela Ricci Lucchi: Archive, Technology and Body,\u003c\/em\u003e \u003cspan\u003epar Paula Arantzazu Ruiz\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eOur Analytical Camera,\u003c\/em\u003e \u003cspan\u003epar Yervant Gianikian et Angela Ricci Lucchi\u003c\/span\u003e\u003cbr\u003e\u003cem\u003ePages of a Diary,\u003c\/em\u003e \u003cspan\u003epar Angela Ricci Lucchi\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eA Letter to Angela and Yervant,\u003c\/em\u003e \u003cspan\u003epar Atom Egoyan\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eESSAIS\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eEssays. A Poetics of Care: Slowness, Ethics and Enchantment in Gianikian \u0026amp; Ricci Lucchi's Oeuvre\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Miriam De Rosa\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eRe-routing the Image : The Use of Haptic Interventions in Gianikian and Lucchi´s Work\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Arine Kirstein Høgel\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eGlitched Media as Found\/Transformed Footage: Post-Digitality in Takeshi Murata's Monster Movie\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Michael Betancourt\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eThe Success and Failure of Arthur Lipsett\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, par Stephen Broomer\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eHarun Farocki and the Archive. \u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003eWhat Images Show, What Images Conceal, par Sergi Álvarez Riosalido\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eDepicting Cinema(s): Film History as Experiment. Thom Andersen's Los Angeles Plays Itself,\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e par David de Rozas\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eARTICLES \u0026amp; ENTRETIENS\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eOdds \u0026amp; Ends\u003c\/em\u003e, \u003cspan\u003epar Edwin Rostron\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eBenning Goes Digital: An Interview\u003c\/em\u003e, \u003cspan\u003epar Scott MacDonald\u003c\/span\u003e\u003cbr\u003e\u003cem\u003ePretending the Camera Isn´t There: Joshua Oppenheimer’s Postcard From Sun City, Arizona\u003c\/em\u003e, \u003cspan\u003epar Matthew Levine\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eDreams Rewired: A Conversation with Manu Luksch and Mukul Patel\u003c\/em\u003e, \u003cspan\u003epar Martin Zeilinger\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eLiving Memories: Thinking Amateur Filmmaking Practices Through Archive Footage,\u003c\/em\u003e \u003cspan\u003epar Antonin Charret\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eCRITIQUES DE LIVRES ET DE DVD\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eCinema by Other Means,\u003c\/span\u003e\u003c\/em\u003e\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003epar Nazare Soares - \u003c\/span\u003ePavle Levi.\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003eNew York: Oxford University Press, 2012\u003c\/span\u003e\u003cbr\u003e\u003cem\u003e\u003cspan\u003eVerifica Incerta (Disperse Exclamatory Phase),\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e par César Ustarroz - \u003c\/span\u003eGianfranco Baruchello \u0026amp; Alberto Grifi, 1964-1965.\u003cstrong\u003e \u003c\/strong\u003e\u003cspan\u003ePublished by JRP | Ringler: Zurich, 2015\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003eRENCONTRE ACTIVE\u003cbr\u003e\u003c\/u\u003e\u003c\/strong\u003eUne conversation entre Alejandro Bachmann et Kevin B. Lee\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cu\u003eDémontage:\u003c\/u\u003e\u003c\/strong\u003e \u003cem\u003eFreude\u003c\/em\u003e, par Thomas Draschan\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cu\u003e\u003cspan\u003eIMAGES\u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e\u003cbr\u003eJoseph Bernard, Jeroen Cluckers, Anja Dornieden \u0026amp; Juan David González Monroy (aka Ojoboca), Thomas Draschan, Siegfried A. Fruhauf, Makino Takashi, Ignacio Tamarit et Guillaume Vallée\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788872593739,"sku":"SQ3020697","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/FFMagazine3.webp?v=1773411407","url":"https:\/\/re-voir.com\/products\/found-footage-magazine-issue-3-mars-2017","provider":"Re:Voir","version":"1.0","type":"link"}