{"product_id":"winkler-australian-icons","title":"Australian Icons","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e 16 mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1977-1998\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003ePaul Winkler\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e94 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSYDNEY HARBOUR BRIDGE\u003c\/strong\u003e\u003cspan\u003e (1977) 12'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBONDI\u003c\/strong\u003e\u003cspan\u003e (1979) 14'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAYERS ROCK\u003c\/strong\u003e\u003cspan\u003e (1981) 19'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTIME OUT FOR SPORT\u003c\/strong\u003e\u003cspan\u003e (1996) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eROTATION\u003c\/strong\u003e\u003cspan\u003e (1998) 17'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cem\u003e\u003cspan\u003eFilmmaking has always been a journey into the unknown for me\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e. Each new film demands its own trajectory. I can start with a particular idea, then, after developing the first 30 meters of film, the images show me the direction to take or avoid.\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"my-2 [\u0026amp;+p]:mt-4 [\u0026amp;_strong:has(+br)]:inline-block [\u0026amp;_strong:has(+br)]:pb-2\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThere is always a kind of attraction between me and the filmed material, something opens up. If everything works well and the images connect to me and I can almost hear the sound they desire, it's an incredible exhilaration that runs through body and mind. To sum up: my approach to cinema is above all organic. Films are a synthesis of intellect and emotion, filtered through the plastic material of film. I try to let the images rise freely to the surface.\"\u003cbr\u003e— Paul Winkler\u003c\/p\u003e","brand":"Paul Winkler","offers":[{"title":"Default Title","offer_id":56788950483275,"sku":"SQ9827527","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--Australian_Icons.webp?v=1773412062","url":"https:\/\/re-voir.com\/en\/products\/winkler-australian-icons","provider":"Re:Voir","version":"1.0","type":"link"}