{"product_id":"weiss-bluray-short-film-collection","title":"Short Film Collection","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eBlu-ray Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm, 35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1952-1961\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eSwedish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePeter Weiss\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eSubtitles \u003cstrong\u003eEnglish, French\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthors \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJon Wengström, Martin Grennberger, Stefan Ramstedt, Gunilla Palmstierna-Weiss\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 44 pages\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eRunning time\u003cstrong\u003e 132 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSTUDIE I: UPPVAKNANDET \u003c\/strong\u003e(1952) 6'\u003cbr\u003e\u003cstrong\u003eSTUDIE IL: HALLUCINATIONER \u003c\/strong\u003e(1952) 5'\u003cbr\u003e\u003cstrong\u003eSTUDIE III \u003c\/strong\u003e(1953) 5'\u003cbr\u003e\u003cstrong\u003eSTUDIE IV: FRIGÖRELSE \u003c\/strong\u003e(1954) 8'\u003cbr\u003e\u003cstrong\u003eSTUDIE V: VÄXELSPEL \u003c\/strong\u003e(1955) 8'\u003cbr\u003e\u003cstrong\u003eANSIKTEN I SKUGGA \u003c\/strong\u003e(1956) 13'\u003cbr\u003e\u003cstrong\u003eATELJÉINTERIÖR\u003c\/strong\u003e (1956) 9'\u003cbr\u003e\u003cstrong\u003eINGENTING OVANLIGT \u003c\/strong\u003e(1957) 9'\u003cbr\u003e\u003cstrong\u003eENLIGT LAG \u003c\/strong\u003e(1957) 18'\u003cbr\u003e\u003cstrong\u003eVAD SKA VI GÖRA NU DÅ \u003c\/strong\u003e(1958) 20'\u003cbr\u003e\u003cstrong\u003eTAGNING NARKOMANER \u003c\/strong\u003e(1960) 6'\u003cbr\u003e\u003cstrong\u003eANNA CASPARSSON \u003c\/strong\u003e(1960) 13'\u003cbr\u003e\u003cstrong\u003eTAGNING ÖYVIND FAHLSTRÖM \u003c\/strong\u003e(1961) 12'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Peter Weiss (1916-1982) was a celebrated German-Swedish author and playwright, best known for his play \u003cem\u003eMarat-Sade\u003c\/em\u003e. His literary fame overshadowed his work as a surrealist painter and avant-garde filmmaker. Superficial reality is brought to yield suggestive images that become as solid, as certain, and as fascinating as the object itself. The consistency of these images—hallucinations, dreams, the ravings of madmen—would later become a recurring characteristic of Weiss's work. In his surrealist film \u003cem\u003eHallucinationer\u003c\/em\u003e (1953), Weiss indulges in a complex visual play on the interchangeability of image and reality.\"\u003cbr\u003e— Roger Ellis\u003cbr\u003e\u003cbr\u003e\"[In \u003cem\u003eEnligt Lag\u003c\/em\u003e] he captures the stark exterior and bleak interior of the building from unexpected angles. These sequences give an evocative image of the power structure inherent in the architecture of the prison environment. The prisoners in the film are transformed into an anonymous mass devoid of any identity. Weiss was thus able to concretely illustrate how punishment eradicates human dignity.\"\u003cbr\u003e— Sverker R. Ek\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eAnsikten i skugga\u003c\/em\u003e follows the actions and movements of vagrants in Stockholm over the course of a day, without commentary, without an overarching point of view, without explanation. The film's program sticks to its title: to seek out faces, to restore the shadow from which they do not emerge. The iterative and synthetic nature of the treatment of poverty thus combines minimal description with a quasi-ethnographic aim, respect for the filmed subjects, and political assertion.\"\u003cbr\u003e— Nicole Brenez\u003c\/p\u003e","brand":"Peter Weiss","offers":[{"title":"Default Title","offer_id":56788950352203,"sku":"SQ7510710","price":24.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--weiss-short_film.webp?v=1773412059","url":"https:\/\/re-voir.com\/en\/products\/weiss-bluray-short-film-collection","provider":"Re:Voir","version":"1.0","type":"link"}