{"product_id":"vanderbeek-visibles-coffret-dvd","title":"Visibles (3 DVD)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat\u003cstrong\u003e\u003cspan\u003e3 DVD5 PAL Interzone\/Region 0 DVD5\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, 16mm\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eYear\u003cstrong\u003e\u003cspan\u003e1959-1972\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eStan Vanderbeek\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e48 pages (English, French)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eRunning time \u003cstrong\u003e286 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003cspan\u003eVISIBLES 1\u003c\/span\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSCIENCE FRICTION\u003c\/strong\u003e (1959) 10'\u003cbr\u003e\u003cstrong\u003eA LA MODE\u003c\/strong\u003e(1959) 6' \u003cbr\u003e\u003cstrong\u003eACHOOO MR.KERROOSCHEV\u003c\/strong\u003e (1960) 2'\u003cbr\u003e\u003cstrong\u003eBREATHDEATH\u003c\/strong\u003e (1963) 14'\u003cbr\u003e\u003cstrong\u003eSEE SAW SEAMS\u003c\/strong\u003e (1965) 9'\u003cbr\u003e\u003cstrong\u003ePANELS FOR THE WALLS OF THE WORLD\u003c\/strong\u003e (1967) 8'\u003cbr\u003e\u003cstrong\u003ePOEMFIELD #2\u003c\/strong\u003e (1966) 6'\u003cbr\u003e\u003cstrong\u003eOH\u003c\/strong\u003e (1968) 9'\u003cbr\u003e\u003cstrong\u003eSYMMETRICKS\u003c\/strong\u003e (1972) 6'\u003cbr\u003e\u003cstrong\u003eVANDERBEEKIANA!\u003c\/strong\u003e (1968)29'\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003cspan\u003eVISIBLES 2\u003c\/span\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003e\u003cu\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/u\u003e\u003c\/em\u003e\u003cstrong\u003eASTRAL MAN\u003c\/strong\u003e\u003cspan\u003e (1959) 2'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eMANKINDA\u003c\/strong\u003e\u003cspan\u003e (1957) 8'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWHAT WHO HOW\u003c\/strong\u003e\u003cspan\u003e (1957) 7'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWHEEEELS NO. 1\u003c\/strong\u003e\u003cspan\u003e (1958) 7'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWHEEEELSNO. 2\u003c\/strong\u003e\u003cspan\u003e (1958) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDANCE OF THE LOONEY SPOONS\u003c\/strong\u003e\u003cspan\u003e (1959) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBLACK AND WHITE, DAY AND NIGHT\u003c\/strong\u003e\u003cspan\u003e (1962) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSKULLDUGGERY\u003c\/strong\u003e\u003cspan\u003e (1960) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE HUMAN FACE IS A MONUMENT\u003c\/strong\u003e\u003cspan\u003e (1965) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE SMILING WORKMAN\u003c\/strong\u003e\u003cspan\u003e (1967) 6'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE BIRTH OF THE AMERICAN FLAG\u003c\/strong\u003e\u003cspan\u003e (1965) 14'\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003e\u003cspan\u003eCOMPUTER GENERATION\u003c\/span\u003e\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePOEMFIELD#1\u003c\/strong\u003e (1967) 5'\u003cbr\u003e\u003cstrong\u003ePOEMFIELD#2\u003c\/strong\u003e (1966-1971) 6' \u003cbr\u003e\u003cstrong\u003ePOEMFIELD#3 (\u003c\/strong\u003e1967) 10'  \u003cbr\u003e\u003cstrong\u003ePOEMFIELD#5\u003c\/strong\u003e (1967) 7'\u003cbr\u003e\u003cstrong\u003ePOEMFIELD#7\u003c\/strong\u003e (1967) 4' \u003cbr\u003e\u003cstrong\u003eMOIRAGE\u003c\/strong\u003e (1967) 8'\u003cbr\u003e\u003cstrong\u003eWHO HO RAY#1\u003c\/strong\u003e (1966-1972) 8' \u003cbr\u003e\u003cstrong\u003eWHO HO RAY 2 SCREEN COMPOSITE \u003c\/strong\u003e(1966-1972) 8' \u003cbr\u003e\u003cstrong\u003eAD INFINITUM\u003c\/strong\u003e (1968) 10' \u003cbr\u003e\u003cstrong\u003eAD INFINITUM 3 SCREEN COMPOSITE\u003c\/strong\u003e (1968) 10' \u003cbr\u003e\u003cstrong\u003eEUCLIDEAN ILLUSIONS\u003c\/strong\u003e (1980) 9'\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"The surrealistic transformation of a footbridge into an eye opening onto a path leading to a radiating flower that becomes a body that becomes a landscape produces the effect, in Vanderbeek's words, of an 'animation experience in which the viewer's eye sinks ever deeper into each scene, finding new relationships and visual metaphors in what at first glance appears a simple scene... Juxtaposed to what we see is what we believe we see... The memory of the dream is as real as the dream itself, while being completely different from it.\" \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e—Janet Vrchota\u003c\/span\u003e\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"It is part of the interesting nature of art that at this very moment at the crossroads of art, with the perfection of a means to capture perspective and 'realism' exactly, the artist's gaze turns more toward the interior, and in some way toward an infinite exterior, abandoning the logic of aesthetics and bursting at full throttle into a juxtaposed and simultaneous world that ignores the spirit of single perspective and the single-perspective lens.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e—Stan Vanderbeek\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eMedia\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e►\u003c\/span\u003e\u003ca target=\"_blank\" href=\"https:\/\/vimeo.com\/790791696?p=1t\"\u003e Trailer \u003cem\u003eVisibles 1\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e►\u003c\/span\u003e\u003ca target=\"_blank\" href=\"https:\/\/vimeo.com\/790812262\"\u003e Trailer \u003cem\u003eVisibles 2\u003c\/em\u003e\u003c\/a\u003e\u003cbr\u003e\u003cspan\u003e►\u003c\/span\u003e\u003ca target=\"_blank\" href=\"https:\/\/vimeo.com\/790844273\"\u003e Trailer \u003cem\u003eComputer\u003c\/em\u003e \u003cem\u003eGeneration\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Stan Vanderbeek","offers":[{"title":"Default Title","offer_id":56788949074251,"sku":"SQ5208743","price":45.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--stan-vanderbeek-visibles-coffret-dvd.webp?v=1773412044","url":"https:\/\/re-voir.com\/en\/products\/vanderbeek-visibles-coffret-dvd","provider":"Re:Voir","version":"1.0","type":"link"}