{"product_id":"super-8-magazine-numro-11","title":"SUPER 8 magazine numéro 11","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJurgen Lossau\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e magazine\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2024\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e English, German\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e70 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe Secret of the Golden Fujica\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe Fujica P1 and Z1 models were not intended to be the first cinematographic cameras for the Japanese Single-8 system. Both were designed for another motion picture film system that was never brought to market. Why did Fujifilm suddenly abandon all its projects? The golden Fujica is a kind of hybrid from this period. The details are revealed in this fascinating story that goes back to the years 1963 to 1965.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe Grocer's Plans\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFor over 30 years, Daniel Wittner and his company have offered film enthusiasts a wide range of products. In recent years, he has focused more on converting and cutting films in Double 8, Super 8, and 16mm formats. Wittner's customers are often other distributors worldwide who trade in cinematographic equipment. The business owner talks to our magazine about his future plans.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe Best and the Worst\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAmerican Miles Sprietsma has already tested countless Super 8 cameras. He particularly appreciates the brands Minolta, Nikon, Canon, and Bauer. In his article, he reveals which models he considers the best and which the worst - and why.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e40 Years in the Same Place: Andec Cinegrell\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eMore than a year ago, Swiss national Richard Grell took over the company Andec in Berlin (Germany). But the laboratory is still located in Berlin-Kreuzberg, at Hasenheide, where it has been for 40 years. In this interview, Ludwig Draser, managing director, explains what has changed in the company since then and what the plans are for the future. He also recounts how Andec Cinegrell was commissioned to develop the Ektachrome color reversal material for the feature film Poor Things, which won four Oscars.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eSecret Recipes from Dagie Brundert\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eHow to develop black and white films in a particularly creative way? Dagie Brundert, who travels the world for her workshops, reveals three recipes: Forest developer, turmeric developer, and schnapps developer.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eCinematographic Tricks from a Legend\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eGerman cinematographer Michael Ballhaus worked with many great directors throughout his life: Rainer Werner Fassbinder, Martin Scorsese, Francis Ford Coppola, and Wolfgang Petersen. In his work, he always used cinematographic tricks created directly in the camera. The five tricks described in this article can also be used by Super 8 enthusiasts.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFilming Tips for Beginners\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFilming is fun! It should be as simple as possible, especially at the beginning. And the result should be successful. That's why Super 8 magazine offers tips for beginners.\u003c\/p\u003e","brand":"Super 8 Magazine","offers":[{"title":"Default Title","offer_id":56788943765835,"sku":"SQ1210032","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/super8magazine11_livre_recto.webp?v=1773411997","url":"https:\/\/re-voir.com\/en\/products\/super-8-magazine-numro-11","provider":"Re:Voir","version":"1.0","type":"link"}