{"product_id":"studio-een-experimental-films-from-the-lowlands","title":"Experimental Films from the Lowlands","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm, Super8\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e2016\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eKarel Doing, Ania Rachmat, Luk Sponselee, Joost Rekveld, Joost van Veen \u0026amp; Roel van der Maaden, Frank Bruinsma, Barbara Meter, Francien van Everdingen, Marc Geerards, Anet van de Elzen, Louis Benassi, Gaëlle Rouard\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 36 pages (English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 114 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eLICHTAJAREN\u003c\/strong\u003e by Karel Doing (1993) 7'\u003cbr\u003e\u003cstrong\u003eHAAR\u003c\/strong\u003e by Ania Rachmat (1992) 6'\u003cbr\u003e\u003cstrong\u003eVOETEN\u003c\/strong\u003e by Luk Sponselee (1992) 2'\u003cbr\u003e\u003cstrong\u003e# 2\u003c\/strong\u003e by Joost Rekveld (1993) 12'\u003cbr\u003e\u003cstrong\u003eSTEEN\u003c\/strong\u003e by Joost van Veen \u0026amp; Roel van der Maaden (1995) 7'\u003cbr\u003e\u003cstrong\u003eDE HAND\u003c\/strong\u003e by Frank Bruinsma (1993) 3'\u003cbr\u003e\u003cstrong\u003eHERTS\u003c\/strong\u003e by Frank Bruinsma (1996) 2'\u003cbr\u003e\u003cstrong\u003eDEPARTURE ON ARRIVAL\u003c\/strong\u003e by Barbara Meter (1996) 22'\u003cbr\u003e\u003cstrong\u003ePARKAUTOMAAT\u003c\/strong\u003e by Francien van Everdingen (1996) 4'\u003cbr\u003e\u003cstrong\u003eDON'T MOVE\u003c\/strong\u003e by Marc Geerards (1996) 7'\u003cbr\u003e\u003cstrong\u003ePERFORMANCE\u003c\/strong\u003e by Anet van de Elzen (1995) 13'\u003cbr\u003e\u003cstrong\u003eENERGY ENERGY\u003c\/strong\u003e by Karel Doing (1999) 7'\u003cbr\u003e\u003cstrong\u003eLEADING LIGHT\u003c\/strong\u003e by John Smith (1975) 10'\u003cbr\u003e\u003cstrong\u003ePORTRAIT OF KAREL DOING\u003c\/strong\u003e\u003cspan\u003e by Gaëlle Rouard (1994) 2'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLOUIS BENASSI IN CONVERSATION WITH KAREL DOING\u003c\/strong\u003e\u003cspan\u003e by Louis Benassi (2015) 20'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIt was in 1990 that Karel Doing, then a student, decided to create Studio één. The history of artistic avant-gardes, as well as underground movements and counterculture, seemed to have come to an end. The rise of video, particularly its use in schools, was competing with Super 8. In opposition to these new techniques, Karel Doing and his two classmates from the Arnhem Academy of Art, Saskia Fransen and Djana Mileta, conceived a space to promote the invention of know-how and DIY (Do it Yourself), initially focusing on the use of Super 8.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn this particular context of changing times, Studio één came into being. A true workspace, Karel Doing, Djana Mileta, and Saskia Fransen developed it through a network of festivals, galleries, and other workspaces. They purchased optical printers from a professional laboratory that was closing down and learned on their own, out of necessity, how to carry out chemical processing. Studio één quickly made a name for itself and welcomed many artists who came to meet, work, and exchange ideas around the use of Super 8 and 16mm, as well as to experiment with various narrative and sound forms. Some would go on to pursue parallel careers in music, such as Joost Rekveld. After 7 years in Arnhem, Studio één moved to Rotterdam, where it enjoyed considerable success, inspiring many artists to create their own laboratories—spaces for research and practice in experimental cinema. Studio één no longer exists, but the laboratory continues its activity in Rotterdam under the name Filmwerkplaats, with its main functions being the pursuit of new film experiments and creations while promoting the films of member artists as well as invited artists.\u003cstrong\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Studio Een","offers":[{"title":"Default Title","offer_id":56788943307083,"sku":"SQ1762816","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Experimental_Films_from_the_Lowlands.webp?v=1773411991","url":"https:\/\/re-voir.com\/en\/products\/studio-een-experimental-films-from-the-lowlands","provider":"Re:Voir","version":"1.0","type":"link"}