{"product_id":"snow-presents-blu-ray","title":"Presents","description":"\u003cp data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003eFormat \u003cstrong\u003eBlu-ray, DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1981\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eMichael Snow\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Michael Snow, R. Bruce Elder, Max Knowles\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e60 pages (English, French)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 90 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003ePRESENTS\u003c\/strong\u003e\u003cspan\u003e (1981) 90'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp data-rte-preserve-empty=\"true\" style=\"white-space: pre-wrap;\"\u003e\u003cspan\u003e\"The apparent vertical scratch in the celluloid that opens \u003c\/span\u003e\u003cem\u003ePresents\u003c\/em\u003e\u003cspan\u003e literally opens onto a film within a film. When its figure awakens as a woman in a 'real' and unreal setting, the burlesque satire of structural film begins. It's not the camera that moves, but the entire set, in this first of three material 'investigations' of camera movement. In the second, the camera literally invades the set; a sheet of plexiglass placed in front of the tracking shot flattens everything it sees as it zooms through space. Finally, this monster of formalism breaks through the wall of the set and the film shifts to a series of rapidly edited shots, the camera zigzagging along lines of force and moving fields of vision, in an approximation of the eye in nature. Snow pushes us to accept the present moments of vision, but the single drum beat that coincides with each cut in this elegiac section announces each moment of life's irreversible disappearance.\"\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e— Philip Monk, \u003c\/span\u003e\u003cem\u003eArt Express\u003c\/em\u003e\u003c\/p\u003e","brand":"Michael Snow","offers":[{"title":"Default Title","offer_id":56788942160203,"sku":"SQ6750633","price":29.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Presents.webp?v=1773411975","url":"https:\/\/re-voir.com\/en\/products\/snow-presents-blu-ray","provider":"Re:Voir","version":"1.0","type":"link"}