{"product_id":"rouges-silences-vod","title":"Rouges Silences","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e1978-1984\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eAlain Mazars\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eSubtitles\u003cstrong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e\u003cspan\u003e 120 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eROUGES SILENCES \u003c\/strong\u003e(\u003cspan\u003e1978) 53'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLE JARDIN DES AGES \u003c\/strong\u003e(\u003cspan\u003e1982) 31'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eVISAGES PERDUS \u003c\/strong\u003e(\u003cspan\u003e1983) 13'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eACTUS \u003c\/strong\u003e(\u003cspan\u003e1984) 23'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"\u003cspan\u003eHere is a stunning film. First by the rhythm of the images, visual scansions, extremely rigorous framing, lighting, direction of actors—in short, a concentration of cinematographic elements that exists above all for effectiveness. But not the narrative effectiveness with which American cinema inundates us, but truly a professional effectiveness that gives each shot a dynamic, a force, a fulfilled intention. Here, the codes of the fantastic are both amplified and distanced by an expressionist aesthetic that perhaps for the first time in expressionism takes humor into account. Certain extreme close-ups of flowers, of insects, bring to mind the prose of a Caillois for which I knew of no equivalent in cinema until now. There exists in this film a double movement. At the same time, a kind of restraint in the shots and a bulimia, a frenzy to film—perhaps it is this primarily that troubles us and carries us away into a way of seeing that was unknown to us. Here is a film that takes into account an entire visual and narrative heritage and runs it through the grinder of a terribly personal style.\"\u003c\/span\u003e\u003cbr\u003e—\u003cspan\u003e Jean-Jacques Bernard on \u003c\/span\u003e\u003cem\u003eRouges Silences\u003c\/em\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Alain Mazars","offers":[{"title":"Default Title","offer_id":56788939800907,"sku":"SQ2375356","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_mazars-rouges-silences-vod.webp?v=1773411947","url":"https:\/\/re-voir.com\/en\/products\/rouges-silences-vod","provider":"Re:Voir","version":"1.0","type":"link"}