{"product_id":"richter-early-works","title":"Early Works","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1921-1972\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eHans Richter\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 49 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eRHYTHMUS 21\u003cu\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/u\u003e\u003c\/strong\u003e(1921)\/ 4'\u003cbr\u003e\u003cstrong\u003eRHYTHMUS 23\u003c\/strong\u003e (1923) 4'\u003cbr\u003e\u003cstrong\u003eFILMSTUDIE\u003c\/strong\u003e (1926) 5'\u003cbr\u003e\u003cstrong\u003eGHOSTS BEFORE BREAKFAST\u003c\/strong\u003e (1927-28) 7'\u003cbr\u003e\u003cstrong\u003eRACE SYMPHONY\u003c\/strong\u003e (1928-29) 7'\u003cbr\u003e\u003cstrong\u003eTWO PENCE MAGIC\u003c\/strong\u003e (1928-29) 2'\u003cbr\u003e\u003cstrong\u003eINFLATION\u003c\/strong\u003e (1927) 3'\u003cbr\u003e\u003cstrong\u003eEVERYTHING TURNS EVERYTHING REVOLVES\u003c\/strong\u003e (1929) 3'\u003cbr\u003e\u003cstrong\u003eGIVE CHANCE A CHANCE\u003c\/strong\u003e\u003cspan\u003e Stephan Chodorov (1973) 28'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRICHTER ON FILM\u003c\/strong\u003e\u003cspan\u003e Cecile Starr (1972) 12'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eA VISIT TO HANS RICHTER\u003c\/strong\u003e\u003cspan\u003e Jonas Mekas (2003) 5'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"By film I mean optical rhythm… to see only movement, organized movement - this awakens, provokes opposition, triggers reflexes, but also - perhaps - pleasure. This film offers no 'anchor points' that one might resort to in one's memories; one is left exposed, compelled to 'feel,' to follow the rhythm, the breath, the heartbeat... and the highs and lows of the phenomenon may perhaps allow us to know what truly feeling and sensing is, namely a process, MOVEMENT.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eHans Richter, 1924.\u003cbr\u003e\u003cbr\u003eA promoter of Dada and Surrealism, Richter was one of the first to recognize the possibilities that cinema offers to artists. He was one of the pioneers of avant-garde cinema alongside Léger, Duchamp, Man Ray, Picabia, Cocteau and Dali. Later, in New York, his teaching influenced numerous filmmakers of the \"New American Cinema.\"\u003c\/p\u003e","brand":"Hans Richter","offers":[{"title":"Default Title","offer_id":56788938686795,"sku":"SQ7326062","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--hans-richter-early-works-version-augmentee.webp?v=1773411941","url":"https:\/\/re-voir.com\/en\/products\/richter-early-works","provider":"Re:Voir","version":"1.0","type":"link"}