{"product_id":"reeves-when-it-was-blue","title":"When It Was Blue - Selected Works 1992-2022","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eBlu-ray Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1992-2022\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJennifer Reeves\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthors \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMichael Sicinski, Laura Staab\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 40 pages (French, English)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eSubtitles \u003cstrong\u003eFrench\u003c\/strong\u003e\u003cbr\u003eRunning time\u003cstrong\u003e 127 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eWHEN IT WAS BLUE\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2008) 58'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGIRLS DAYDREAM ABOUT HOLLYWOOD \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1992) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCONFIGURATION 20\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (1994) 11'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE GIRL'S NERVY \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1995) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWE ARE GOING HOME\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (1998) 10'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFEAR OF BLUSHING \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2001) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLANDFILL 16\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2011) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSTRAWBERRIES IN THE SUMMERTIME\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2013) 16'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCOLOR NEUTRAL\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2014) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePIGMENT-DISPERSION SYNDROME\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2022) 6'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"One could say that the very fragility of film stock, rendered uncanny by the dematerialization of electronic images, invites contemplation of change and chance, of birth and death. Such notions find in Reeves an eminently physical expression: in the fractal craquelure of altered pigments that adorn certain of her hand-assembled photograms, or in the undulating flows of thick, opalescent paint, sometimes studded with air bubbles like stars, that surge forth at other moments.\"\u003cbr\u003e— Ed Halter, \u003cem\u003eArtforum\u003c\/em\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Structurally, Reeves has occupied a daring position by pushing the boundary between reason, obsessive memories, intimate madness, and society's drifts; at the intersection of psychic disorders, cultural artifacts, and the process of obscuring\/dilating vision and consciousness, achieved by accumulating layers of images on a single strip of film.\"\u003cbr\u003e— Bérénice Reynaud, \u003cem\u003eSenses of Cinema\u003c\/em\u003e\u003ca href=\"https:\/\/drive.google.com\/file\/d\/1FyJdfuoFIzdJHpUf_zjZqplSI73e8r1N\/view?usp=sharing\" target=\"_blank\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jennifer Reeves","offers":[{"title":"Default Title","offer_id":56788936524107,"sku":"SQ1538366","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--When_it_was_blue.webp?v=1773411924","url":"https:\/\/re-voir.com\/en\/products\/reeves-when-it-was-blue","provider":"Re:Voir","version":"1.0","type":"link"}