{"product_id":"rappaport-from-the-journals-of-jean-seberg","title":"From the Journals of Jean Seberg","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003eHD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1995-2016\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eMark Rappaport\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSous-titres \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 52 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 151 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFROM THE JOURNALS OF JEAN SEBERG\u003c\/strong\u003e (1995) 97'\u003cbr\u003e\u003cstrong\u003eBECOMING ANITA EKBERG \u003c\/strong\u003e(\u003cspan\u003e2014) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDEBRA PAGET, FOR EXAMPLE (\u003c\/strong\u003e\u003cspan\u003e2016) 37'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eMark Rappaport, a New Yorker by birth, worked as an editor before making his own films, among which we can cite \u003cem\u003eThe Scenic Route\u003c\/em\u003e (1978), \u003cem\u003eImpostors \u003c\/em\u003e(1980), \u003cem\u003ePostcards\u003c\/em\u003e (1990) and \u003cem\u003eExterior Night\u003c\/em\u003e (1994). His essay films include \u003cem\u003eRock Hudson's Home Movies\u003c\/em\u003e (1992), \u003cem\u003eFrom the Journals of Jean Seberg\u003c\/em\u003e (1995) and \u003cem\u003eThe Silver Screen \/ Color Me Lavender\u003c\/em\u003e (1998). Many of his writings on cinema have been published in \u003cem\u003eTrafic\u003c\/em\u003e over the years, as well as in \u003cem\u003eCinéma\u003c\/em\u003e. \u003cem\u003eLe spectateur qui en savait trop \u003c\/em\u003eis the first collection of his writings. In 2008, his film made from photomontages was screened for the first time at Lincoln Center in New York, as part of the New York Film Festival. Mark Rappaport currently lives in Paris.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis deconstruction of the life and career of this Midwest girl, an old Hollywood star at 19, a New Wave icon at 21, and a suicide at 40, is undertaken by Seberg herself, as embodied by Mary Beth Hurt. The wit and inventiveness of Rappaport's script, combined with the inexhaustible flow of disillusioned observations and judiciously chosen, nervously edited film excerpts, make this a remarkably stimulating work.\u003c\/p\u003e","brand":"Mark Rappaport","offers":[{"title":"Default Title","offer_id":56788936130891,"sku":"SQ4008048","price":19.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--From_the_Journals_of_Jean_Seberg.webp?v=1773411918","url":"https:\/\/re-voir.com\/en\/products\/rappaport-from-the-journals-of-jean-seberg","provider":"Re:Voir","version":"1.0","type":"link"}