{"product_id":"poesia-y-cine-la-dinamica-cinematografica-de-la-poesia","title":"Poesia y cine : La dinamica cinematografica de la poesia","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAlejandro Pidello\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e paperback\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2022\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e Spanish\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 73 pages\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eHow did early cinema influence poetry? Who are the poets who gave Eisenstein his theory of montage? What verses, what films dare to write in this new territory? In a prose that functions as a long essay escaping division into chapters, Alejandro Pidello addresses these questions and many others in Poésie et cinéma : la dynamique cinématographique de la poésie (EditorialCG), volume 35 of the Estación Cinema collection.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFORMAT: Paperback\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eISBN: 9789875975033\u003c\/span\u003e\u003c\/p\u003e","brand":"Alejandro Pidello","offers":[{"title":"Default Title","offer_id":56788918829387,"sku":"SQ2214033","price":10.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/poesieycinema_pidello.webp?v=1773411902","url":"https:\/\/re-voir.com\/en\/products\/poesia-y-cine-la-dinamica-cinematografica-de-la-poesia","provider":"Re:Voir","version":"1.0","type":"link"}