{"product_id":"peter-gidal-flare-out-aesthetics-1966-2016","title":"Peter Gidal \/ Flare Out: Aesthetics 1966–201","description":"\u003cp\u003eAuthors \u003cstrong\u003eMark Webber et Peter Gidal\u003c\/strong\u003e\u003cbr\u003eFormat \u003cstrong\u003elivre broché\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2016\u003c\/strong\u003e\u003cbr\u003eLanguage \u003cstrong\u003eanglais\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e288 pages\u003c\/strong\u003e\u003cbr\u003eEditor \u003cstrong\u003eThe Visible Press\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eFlare Out: Aesthetics 1966–2016\u003c\/em\u003e is a collection of essays by Peter Gidal that includes “Theory and Definition of Structural\/Materialist Film” and other texts on metaphor, narrative, and against sexual representation. Also discussed in their specificity are works by Samuel Beckett, Thérèse Oulton, Gerhard Richter and Andy Warhol. Throughout, Gidal’s writing attempts a political aesthetics, polemical as well as theoretical. One of the foremost experimental film-makers in Britain since the late 1960s, Peter Gidal was a central figure at the London Film-Makers’ Co-operative, and taught advanced film theory at the Royal College of Art. His previous books include \u003cem\u003eAndy Warhol: Films and Paintings\u003c\/em\u003e (1971), \u003cem\u003eUnderstanding Beckett\u003c\/em\u003e (1986) and \u003cem\u003eMaterialist Film\u003c\/em\u003e (1989).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTABLE OF CONTENTS\u003cbr\u003ePreface\u0026nbsp;\u003cbr\u003eMark Webber\u003c\/p\u003e\n\u003cp\u003eIntroduction\u0026nbsp;\u003cbr\u003ePeter Gidal\u003c\/p\u003e\n\u003cp\u003eEssays\u003cbr\u003eTheory and Definition of Structural\/Materialist Film (1975)\u003cbr\u003eFurther Footnotes (1976)\u0026nbsp;\u003cbr\u003eProblems ‘relating to’ Warhol’s Still Life 1976 (1978)\u0026nbsp;\u003cbr\u003eThe Anti-Narrative (1979)\u0026nbsp;\u003cbr\u003eTechnology and Ideology in\/through\/and Avant-Garde Film: An Instance (1980)\u0026nbsp;\u003cbr\u003eSamuel Beckett’s Ghost Trio (1981)\u0026nbsp;\u003cbr\u003eAgainst Sexual Representation in Film (1984)\u0026nbsp;\u003cbr\u003eFugitive Theses re Thérèse Oulton’s Paintings (1984)\u0026nbsp;\u003cbr\u003eDialogue and Dialectic in Godot (1986)\u0026nbsp;\u003cbr\u003eThe Anti-Zoom (A Little Polemic Against Metaphor) (1987)\u0026nbsp;\u003cbr\u003eIn Representation or Out? Some Condensed Notes on Aesthetics\u0026nbsp;\u003cbr\u003e\u0026nbsp; \u0026nbsp;and Politics (1988)\u0026nbsp;\u003cbr\u003eEndless Finalities (Richter’s Abstract Paintings) (1993)\u0026nbsp;\u003cbr\u003eThe Polemics of Paint (Richter in the Nineties) (1995)\u0026nbsp;\u003cbr\u003eNO EYE: Theoretical Reflections on the Eye, Metaphor and Film\/Video (1995)\u0026nbsp;\u003cbr\u003eOnce is Never: Warhol’s Saturday Disaster \u0026amp; Blow Job (2001)\u0026nbsp;\u003cbr\u003eAgainst Metaphor (1998, revised 2005\/2015)\u003c\/p\u003e\n\u003cp\u003eDiverse Texts\u003cbr\u003eLetter to Artforum (1971)\u0026nbsp;\u003cbr\u003eLetter to Screen (1976)\u0026nbsp;\u003cbr\u003eLetter to Afterimage (1976)\u0026nbsp;\u003cbr\u003eEight Hours or Three Minutes (1971)\u0026nbsp;\u003cbr\u003eNotes on my Film Work (1975)\u003c\/p\u003e\n\u003cp\u003eImages\u0026nbsp;\u003cbr\u003e16 pages of color and b\u0026amp;w images which include photographs, manuscripts, archival documents, and paintings by Thérèse Oulton, Gerhard Richter, and Andy Warhol\u003c\/p\u003e\n\u003cp\u003eFilmography Peter Gidal\u003cbr\u003eBibliography Peter Gidal\u0026nbsp;\u003c\/p\u003e","brand":"Visible Press","offers":[{"title":"Default Title","offer_id":57739034034507,"sku":null,"price":23.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/Gidal-Flare-Out-front-cover.jpg?v=1782912880","url":"https:\/\/re-voir.com\/en\/products\/peter-gidal-flare-out-aesthetics-1966-2016","provider":"Re:Voir","version":"1.0","type":"link"}