{"product_id":"passages-du-cinma","title":"Passages du Cinéma","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor \u003cstrong\u003eProsper Hillairet\u003c\/strong\u003e\u003cbr\u003eFormat \u003cbr\u003eYear \u003cstrong\u003e2021\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e330 pages\u003c\/strong\u003e\u003cbr\u003eLanguage \u003cstrong\u003eFrench\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFrom 1949, when he arrived in New York with his brother Adolfas after fleeing his native Lithuania, experiencing forced labor camps and then displaced persons camps in immediate post-war Germany, until 2012 when he edited \u003cem\u003eOut-Takes from the Life of a Happy Man\u003c\/em\u003e before his last strips of film faded forever, Jonas Mekas filmed his life: first the years of exile and the poor neighborhoods of Brooklyn in \u003cem\u003eLost Lost Lost\u003c\/em\u003e, then the legendary years of the birth of underground cinema, the Fluxus movement and pop culture in \u003cem\u003eWalden, Scenes from the Life of Andy Warhol, Zefiro Torna\u003c\/em\u003e or \u003cem\u003eHappy Birthday to John\u003c\/em\u003e, and finally the more intimate years of friendship and love in \u003cem\u003eAs I Was Moving Ahead ­Occasionally I Saw Brief Glimpses of Beauty\u003c\/em\u003e. […] \u003c\/p\u003e\u003cp style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e[…] From one paradise to another, from the lost paradise of childhood to the rediscovered paradise of cinema and poetry, Mekas, by his own account, never stopped shooting one and the same film for over half a century, which he at one point titled, when he became aware of it, \u003cem\u003e­Diaries, Notes and Sketches\u003c\/em\u003e. Beyond the apparent diversity of his works, this small book strives to trace this slender but continuous thread, even if it means confronting the immense \u003cem\u003ework in progress\u003c\/em\u003e that has just been completed, indirectly for some but also head-on for several of them, exemplary of this new Odyssey.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSummary \u003c\/strong\u003e\u003cbr\u003eDay by day \/\/\/ The time of exile \/\/\/ The crossing of destinies \/\/\/ Paradise on earth\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003ePatrice Rollet\u003c\/strong\u003e is a professor at the École nationale supérieure d'arts de Paris-Cergy. An essayist and film critic, he is one of the founders, along with Serge Daney, of the magazine \u003cem\u003eTrafic\u003c\/em\u003e, after having been successively an editor at \u003cem\u003eVertigo\u003c\/em\u003e and literary director of \u003cem\u003eCahiers du cinéma\u003c\/em\u003e. Author of \u003cem\u003ePassages à vide\u003c\/em\u003e published in 2002 by éditions P.O.L, he also published \u003cem\u003eJe n'avais nulle part où aller\u003c\/em\u003e by Jonas Mekas there in 2004.\u003c\/p\u003e","brand":"Prosper Hillairet","offers":[{"title":"Default Title","offer_id":56788916994379,"sku":"SQ2762878","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/passages.webp?v=1773411878","url":"https:\/\/re-voir.com\/en\/products\/passages-du-cinma","provider":"Re:Voir","version":"1.0","type":"link"}