{"product_id":"morrison-footprints","title":"Footprints","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eBlu-ray Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm, 16mm, Super8\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1992-2021\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eBill Morrison\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Anne-Violaine Houcke, Laura Staab, Steve Dollar\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 44 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 139 min\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFOOTPRINTS\u003c\/strong\u003e\u003cspan\u003e (1992) 6'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE FILM OF HER\u003c\/strong\u003e\u003cspan\u003e (1996) 12'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGHOST TRIP\u003c\/strong\u003e\u003cspan\u003e (2000) 23'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE HIGHWATER TRILOGY\u003c\/strong\u003e\u003cspan\u003e (2006) 31'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePORCH\u003c\/strong\u003e\u003cspan\u003e (2007) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWHO BY WATER\u003c\/strong\u003e\u003cspan\u003e (2007) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRELEASE\u003c\/strong\u003e\u003cspan\u003e (2010) 13'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eJUST ANCIENT LOOPS\u003c\/strong\u003e\u003cspan\u003e (2012) 26'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eRE:AWAKENINGS\u003c\/strong\u003e\u003cspan\u003e (2013) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBEYOND ZERO: 1914-1918\u003c\/strong\u003e\u003cspan\u003e (2014) 40'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE DOCKWORKER'S DREAM\u003c\/strong\u003e\u003cspan\u003e (2015) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTHE LETTER\u003c\/strong\u003e\u003cspan\u003e (2018) 13'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eWILD GIRL\u003c\/strong\u003e\u003cspan\u003e (2021) 6'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLET ME COME IN\u003c\/strong\u003e\u003cspan\u003e (2021) 11'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eHER VIOLET KISS\u003c\/strong\u003e\u003cspan\u003e (2021) 5'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Morrison liberates a primordial film from its destiny as matter doomed to decomposition and darkness: in his hands, film is transformed to become an experience once again. Although he hardly seeks to restore images to give them the sheen of newness, Morrison does restore them, in their different states of deterioration, to return them to movement and to people. And that's where part of the magic of his cinema lies: the timeless magic of moving images on a screen and before a spectator.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e Laura Staab\u003c\/p\u003e\u003cp class=\"\" style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"A film like \u003cem\u003eBeyond Zero: 1914-1918\u003c\/em\u003e, composed mainly of documentary archival images from World War I, presented without captions or commentary, without any desire to act as a historian, confronts the viewer with a harrowing sensory experience of the conflict. The monstrous dramaturgy we witness stems from the very nature of the photo-filmic image, indexical and material: the bodies of soldiers, the wounded, nurses become deformed, agitated by deteriorations that seem like bomb showers, punctured with holes, disappearing into the decomposing matter of celluloid. It is, literally, their last trace left in this world, imprinted in the celluloid, that disappears before us.\"\u003cbr\u003e\u003cspan\u003e—\u003c\/span\u003e Anne-Violaine Houcke\u003c\/p\u003e","brand":"Bill Morrison","offers":[{"title":"Default Title","offer_id":56788909228363,"sku":"SQ1035754","price":26.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/wrapper-footprints-min.webp?v=1773411796","url":"https:\/\/re-voir.com\/en\/products\/morrison-footprints","provider":"Re:Voir","version":"1.0","type":"link"}