{"product_id":"miron-films-exprimentaux-1985-2009","title":"Films expérimentaux 1985-2009","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e16mm, 35mm\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e1985-2009\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 24 pages\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003eFrançois Miron\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e129 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003e4 X HORIZONTAL 4 X VERTICAL \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1985-86) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCHIRURGIE OPTIQUE \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1987) 10'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE GAP IN THE CURTAIN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1989) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eKICK THAT HABIT MAN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1989) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eWHAT IGNITES ME, EXTINGUISHES ME \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1990) 9'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE SQUARE ROOT OF NEGATIVE THREE\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (1991) 8'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE EVIL SURPRISE\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (1994) 16'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE ULTRAWORLD \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1997) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLA POURSUITE DE L'ART \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1999) 10'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRESOLVING POWER \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2001) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHYMN TO PAN \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2007) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eCREPITUS \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2008) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHYDROMORPHONE 8MG \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2009) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eDISMAL UNIVERSAL HISS (excerpts)\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (1988) 6'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFILMS HAUTS-CONTRASTES \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1988-1997) 5'\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFrançois Miron began making films in 1982, working exclusively on film stock (not video). His early work consists of several experimental short films, all created using a powerful technique for manipulating filmed images that he has mastered to perfection: optical printing. In 1990, he earned a master's degree in filmmaking at the School of the Art Institute of Chicago, thanks to a full merit scholarship. His complete body of work has been presented at numerous festivals and various venues around the world, receiving multiple awards and genuine recognition within the underground cinema milieu.  \u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn parallel, the filmmaker creates and shoots music videos, practices photography and, since 1993, has taught optical printing, filmmaking and the technical aspects of cinema at the Mel Hoppenheim School of Cinema in Montréal. He has had complete retrospectives of his work in San Francisco, Humboldt, at Parc cinéma in Montréal and, more recently, at the Cinémathèque québécoise.  \u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn 2007, he completed production of \u003cem\u003eThe 4th Life\u003c\/em\u003e, a 35mm feature film co-written with James Galwey, distributed at several international festivals as well as in theaters in Canada. In 2008, he won a Juno Award for his photographic work for Arcade Fire on the album cover of \u003cem\u003eNeon Bible\u003c\/em\u003e, composed of images shot on 16mm black and white and color reversal film. That same year, he received the \u003cem\u003ePrix à la création artistique\u003c\/em\u003e from the \u003cem\u003eConseil des arts et des lettres du Québec\u003c\/em\u003e for his film \u003cem\u003eHymn to Pan\u003c\/em\u003e.  \u003c\/p\u003e","brand":"François Miron","offers":[{"title":"Default Title","offer_id":56788908507467,"sku":"SQ5030359","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--francois-miron-experimental-films-1985-2009.webp?v=1773411792","url":"https:\/\/re-voir.com\/en\/products\/miron-films-exprimentaux-1985-2009","provider":"Re:Voir","version":"1.0","type":"link"}