{"product_id":"millenium-film-journal-no-83-spring-2026","title":"Millenium Film Journal No. 83 Spring 2026","description":"\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cspan\u003eAuthors \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMillenium Film Journal \u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e Magazine \u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2026 \u003cbr\u003e\u003c\/strong\u003eLanguage\u003cstrong\u003e English \u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e125 pages \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003eThis issue of the Millennium Film Journal, “Round and Round,” is the first part of our yearlong engagement with the theme of Circulation.\u003c\/p\u003e\n\u003cp\u003eHalf a decade after COVID reshaped both the theatrical and online distribution landscape, we are faced with new, more material questions to ponder. Our approach to these questions is open-ended by design. Circulation evokes several scales at once—blood flowing through veins, bodies moving through cities and countries, capital and information disseminating through nation states in a global economy. Movement is the only constant, the fall of old regimes and the rise of new ones, ad infinitum—film is no exception.\u003c\/p\u003e\n\u003cp\u003eAcross its essays, reviews, and artist pages, this issue reflects on the evolving life of moving images and the communities that sustain them.\u003c\/p\u003e\n\u003cp\u003eExcerpted from Vince Warne’s Introduction to MFJ 83 “Round and Round” (Spring 2026).\u003cbr\u003e\u003c\/p\u003e\n\u003ch4\u003e\u003cb\u003eTABLE OF CONTENTS\u003c\/b\u003e\u003c\/h4\u003e\n\u003cp\u003e\u003cb\u003eIntroduction\u003cbr\u003e\u003c\/b\u003eVince Warne\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eREVIEWS\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eJenny Perlin: The Wonder\u003cbr\u003e\u003c\/b\u003eRachel Stevens\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAnimating Patterns: Jodie Mack’s Lover, Lovers, Loving, Love\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eGladys Lou\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eZachary Epcar\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eNick Gamso\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003ePeggy Ahwesh: Navigations\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eSangyoung Nam\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eNYFF 63: Currents Program 1\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eNick Kouhi\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eSTUDIO VISIT\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eFrogs, Fans and Pineapples: Savinder Bual’s Catalan Studio\u003c\/b\u003e\u0026nbsp;\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eNicky Hamlyn\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eARTICLES\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eThe Moving Image as a Slot Machine\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eAri Temkin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eGoing Round: Circulating Experimental Cinema\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eSarah Keller\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eWelcome to Blue: Videos on the Internet\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eVince Warne\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eChiara Caterina’s Riddle\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eGrahame Weinbren\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eResistant Neuroqueer Temporalities and Divergent Durational Images\u003c\/b\u003e\u0026nbsp;\u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eMars Saude\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eBOOK REVIEWS\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eCésar Ustarroz (ed.), Found Footage \u0026amp; Collage Films\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eClint Enns\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAlexandra Schneider and Wanda Strauven, Children Reinventing Cinema\u003cbr\u003e\u003c\/b\u003eAva Witonsky\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eARTIST PAGES\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eThink Like a Filmmaker\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eAlan Berliner\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eCONVERSATIONS\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eA Conversation with Christopher Harris: Selected Images\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eGreg de Cuir\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eA Conversation with Adam Hyman\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eJaimie Baron\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eToward a New Trans Cinema: Jenni Olson in Conversation\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eS. Topiary Landberg\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eA Conversation with John Smith, Part 1\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eSamy Benammar\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eVadim Kostrov’s Cinema of Impression\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eEmma Claire Foley\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-sheets-root=\"1\"\u003e\u003cstrong\u003eFlo Talks!\u003c\/strong\u003e\u003cb\u003e\u003cbr\u003e\u003c\/b\u003eAmy Taubin\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch5\u003e\u003cb\u003eREMEMBRANCES\u003c\/b\u003e\u003c\/h5\u003e\n\u003cp\u003e\u003cb\u003eKen Jacobs\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eJoe Wakeman\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMargaret Tedesco\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eBradford Nordeen\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAmos Poe\u003cbr\u003e\u003c\/b\u003e\u003cspan data-sheets-root=\"1\"\u003eRoberta Friedman\u003c\/span\u003e\u003c\/p\u003e","brand":"Millenium Film Journal","offers":[{"title":"Default Title","offer_id":57759407243595,"sku":null,"price":18.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/MFJ_83_couverture.jpg?v=1783089267","url":"https:\/\/re-voir.com\/en\/products\/millenium-film-journal-no-83-spring-2026","provider":"Re:Voir","version":"1.0","type":"link"}