{"product_id":"mekas-diaries-notes-sketches-vol-1-8-dvd","title":"Diaries, Notes \u0026 Sketches Vol. 1-8 (DVD)","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat\u003cstrong\u003e\u003cspan\u003e 8 x DVD Region ALL\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e 16mm, video\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1963-2014\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJonas Mekas\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles\u003cstrong\u003e\u003cspan\u003e French, English, Lithuanian, German, Spanish, Italian, Japanese, Chinese \u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e\u003cspan\u003e 1262 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.01\/8\u003cbr\u003e\u003cstrong\u003eWALDEN\u003c\/strong\u003e (1969) 180'\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.02\/8\u003cbr\u003e\u003cstrong\u003eLOST LOST LOST\u003c\/strong\u003e (1976) 178'\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.03\/8 \u003cbr\u003e1. \u003cstrong\u003eAWARD PRESENTATION TO ANDY WARHOL\u003c\/strong\u003e (1964) 12'\u003cbr\u003e2. \u003cstrong\u003eFILM MAGAZINE OF THE ARTS \u003c\/strong\u003e(1963) 20'\u003cbr\u003e3. \u003cstrong\u003eCASSIS \u003c\/strong\u003e(1966) 4'\u003cbr\u003e4. \u003cstrong\u003eHARE KRISHNA \u003c\/strong\u003e(1966) 4'\u003cbr\u003e5. \u003cstrong\u003eNOTES ON THE CIRCUS \u003c\/strong\u003e(1966) 12'\u003cbr\u003e6. \u003cstrong\u003eREPORT FROM MILLBROOK \u003c\/strong\u003e(1966) 12'\u003cbr\u003e7. \u003cstrong\u003eTRAVEL SONGS \u003c\/strong\u003e(2003) 28'\u003cbr\u003e8. \u003cstrong\u003eIN BETWEEN (\u003c\/strong\u003e1978) 52'\u003cbr\u003e9. \u003cstrong\u003eNOTES FOR JEROME \u003c\/strong\u003e(1978) 45'\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.04\/8 \u003cbr\u003e1. \u003cstrong\u003eREMINISCENCES OF A JOURNEY TO LITHUANIA\u003c\/strong\u003e (1972) 82'\u003cbr\u003e2. \u003cstrong\u003ePARADISE NOT YET LOST \u003c\/strong\u003e(1979) 96'\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.05\/8 \u003cbr\u003e1. \u003cstrong\u003eSCENES FROM THE LIFE OF ANDY WARHOL\u003c\/strong\u003e (1990) 35'\u003cbr\u003e2. \u003cstrong\u003eZEFIRO TORNA\u003c\/strong\u003e (1992) 34'\u003cbr\u003e3. \u003cstrong\u003eHAPPY BIRTHDAY TO JOHN \u003c\/strong\u003e(1996) 24'\u003cbr\u003e4. \u003cstrong\u003eTHIS SIDE OF PARADISE\u003c\/strong\u003e (1999) 35'\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.06\/8 \u003cbr\u003e1. \u003cstrong\u003eOUT-TAKES FROM THE LIFE OF A HAPPY MAN \u003c\/strong\u003e(2012) 68'\u003cbr\u003e2. \u003cstrong\u003eQUARTET #1 \u003c\/strong\u003e(1991) 8'\u003cbr\u003e3. \u003cstrong\u003eCINEMA IS NOT 100 YEARS OLD \u003c\/strong\u003e(1996) 4'\u003cbr\u003e4. \u003cstrong\u003eSONG OF AVIGNON \u003c\/strong\u003e(1998) 5'\u003cbr\u003e5. \u003cstrong\u003eEIN MÄRCHEN AUS ALTEN ZEITEN\u003c\/strong\u003e (2001) 6'\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e6. \u003cstrong\u003eLETTER TO PENNY ARCADE \u003c\/strong\u003e(2011) 14'\u003cbr\u003e7. \u003cstrong\u003eWILLIAMSBURG, BROOKLYN \u003c\/strong\u003e(1949-2002) 15'\u003cbr\u003e8. \u003cstrong\u003eSILENCE PLEASE \u003c\/strong\u003e(2000) 6'\u003cbr\u003e9. \u003cstrong\u003eMY BOLEXES \u003c\/strong\u003e(2015) 4'\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.07\/8\u003cbr\u003e\u003cstrong\u003eAS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY \u003c\/strong\u003e(2000) 135'\u003cbr\u003eREELS 1-6\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eVOL.08\/8\u003cbr\u003e\u003cstrong\u003eAS I WAS MOVING AHEAD OCCASIONALLY I SAW BRIEF GLIMPSES OF BEAUTY \u003c\/strong\u003e(2000) 149'\u003cbr\u003eREELS 7-12\u003c\/p\u003e\n\u003cp class=\"\" style=\"text-align: justify; ; white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eBONUS\u003c\/span\u003e\u003c\/u\u003e\u003cbr\u003e\u003cem\u003eEvery Frame Every Second Is Real\u003c\/em\u003e: a fragment of original film stock from a Mekas film print\u003cbr\u003e24 postcards\u003cbr\u003eincludes a booklet of texts on the films\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis box set brings together the \"film diaries\" of Jonas Mekas (1922-2019). In this personal cinema that consists of filming life on the fly, Mekas works without a script, as if taking visual notes of his surroundings. He films almost daily and accumulates reels of 30 meters (2'30\"), periodically editing, selecting and assembling reels and fragments to make his films that reflect different periods of his life: postwar New York with displaced persons like himself; in the mid-1960s, at the heart of the avant-garde; later, returns to Lithuania both sweet and sad. Throughout, family, friends and the simple things of life leave a sublime trace on film—that of time that never stops running but which Jonas Mekas, by filming it, restores to reality.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap; text-align: left;\" data-rte-preserve-empty=\"true\"\u003eOriginally, Jonas Mekas conceived \u003cem\u003eDiaries Notes and Sketches\u003c\/em\u003e as a unified work in its style and continuity. It was to comprise a number of chapters, with \u003cem\u003eWalden\u003c\/em\u003e being the first to be edited and screened, while \u003cem\u003eLost Lost Lost\u003c\/em\u003e, having been shot during the preceding 15 years, would not be edited until seven years later. Mekas eventually abandoned this single title in the face of incomprehension from film printing laboratories, and each film ultimately received its own specific title.\u003c\/p\u003e","brand":"Jonas Mekas","offers":[{"title":"Default Title","offer_id":56788906737995,"sku":"SQ1925422","price":69.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--Diaries_2C_Notes_26_Sketches_Vol._1-8_28DVD_29.webp?v=1773411773","url":"https:\/\/re-voir.com\/en\/products\/mekas-diaries-notes-sketches-vol-1-8-dvd","provider":"Re:Voir","version":"1.0","type":"link"}