{"product_id":"mathieu-copeland-lexposition-dun-film-the-exhibition-of-a-film","title":"L'exposition d'un film, The exhibition of a film","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Mathieu Copeland\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2015\u003c\/strong\u003e\u003cbr\u003eLanguage(s) \u003cstrong\u003eFrench\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e480 pages\u003c\/strong\u003e\u003cbr\u003ePublisher \u003cstrong\u003eGeneva University of Art and Design\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"\" style=\"text-align: justify; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eStarting from both the reality of film and the set of textures that cinema encompasses, \"L'Exposition d'un Film\" proposes a polyphonic choreography that does not conceive itself as an \"epic\" structural and structuralist film, and positions itself as the opposite of a sequence of shots adding up one after another. Discrepant, each constitutive layer of the whole presents itself as so many possible fields of action. An exhibition for a context—namely, a film presented in a cinema, constrained by the intrinsic properties of this social space—\"L'Exposition d'un Film\" asserts itself simultaneously as an exhibited film, the film of an exhibition, or even as a filmed exhibition.\u003c\/span\u003e\u003c\/p\u003e","brand":"Mathieu Copeland","offers":[{"title":"Default Title","offer_id":56788904673611,"sku":"SQ8281733","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/img_5452.webp?v=1773411748","url":"https:\/\/re-voir.com\/en\/products\/mathieu-copeland-lexposition-dun-film-the-exhibition-of-a-film","provider":"Re:Voir","version":"1.0","type":"link"}