{"product_id":"lowlands-christoph-janetzko","title":"Lowlands","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOriginal format \u003cstrong\u003evideo\u003c\/strong\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2004-2012\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGerman\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003eChristoph Jantezko\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eSubtitles \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e123\u003cspan\u003e min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eS1 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1985) 15'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eVOM FLUSS – RIVER COLORS \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(1994) 60'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eARNOS TONLABOR \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2010) 8'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSELF-PORTRAIT\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2014) 42'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eNearly all his films are reflections of the places where he lived or worked. (M = Manhattan; \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFenster\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eChange\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e = Brunswick; \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eRiver Colors\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e = Chao Phraya; \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eSisom\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e = Bangkok. But \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eOn Ludlow In Blau\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e = New York also belongs to this category). With some justification, they could therefore also be classified as alternative documentaries. \"Alternative\" in the sense of contemplative and poetic, like documents of an artificial reality, never determined by ideological views, but by the expressiveness of their visions and the logic of their sequential unfolding (*River Colors*, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003ePoetry and Reggae\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e…). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eJanetzko prefers to dwell on surfaces, on the topography of things, which often leads to increasingly meditative visions. Meditative visions that can be experienced at different levels when watching his films (especially in \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eChange\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eTo achieve these imagined surfaces, he has often had to test the limits of available technologies: from direct camera work (*Fenster*), through optical printing (*SN*), to digital editing of analog images (*Sisom*), and then back to chemistry (and adhesive tape) (*Axe*). He even, most likely, made the very first experimental film shot in RAW and 4K (*Arnos Tonlabor*).\u003c\/span\u003e\u003c\/p\u003e","brand":"Christoph Janetzko","offers":[{"title":"Default Title","offer_id":56788897431883,"sku":"SQ7220735","price":15.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/Jetzke_cover.webp?v=1773411714","url":"https:\/\/re-voir.com\/en\/products\/lowlands-christoph-janetzko","provider":"Re:Voir","version":"1.0","type":"link"}