{"product_id":"latimer-fragile-systems","title":"Fragile Systems","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBlu-ray Interzone\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16mm, video\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e2002-2021\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003eChristine Lucy Latimer\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e61 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eMOSAIC \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2002) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGHOSTMEAT \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2003) 11'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE BRIDGE VIEW \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2003) 17' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eOVER {PAST:FUTURE} SIGHT \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2008) 7'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e(JUST BEYOND THE SCREEN) THE UNIVERSE - AS WE KNOW,  IT - IS ENDING \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2008) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFOCUS \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2009) 1\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e'\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFRUIT FLIES \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2010) 1'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE POOL \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2011) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTHE MAGIK IFFEKTOR\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2011) 4' \u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eNATIONTIME \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2013) 2'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eLINES POSTFIXAL\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (2013) 5'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eJANE'S BIRTHDAY \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2013) 4'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003ePHYSICS AND METAPHYSICS IN MODERN PHOTOGRAPHY \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2014) 7'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eC2013 \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2014) 41'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSTILL FEELING BLUE ABOUT COLOUR SEPARATION \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2015) 2'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eHOUSE PIECES \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2017) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTENDER \u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e(2021) 3'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eFRAGILE SYSTEMS\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e by Stephen Broomer\u003c\/span\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eChristine Lucy Latimer's films and videos defy their mediums: they reveal the fragility of the systems that underpin media, push the limits of image-making machines, and embrace the flaws and frailties of vision. Almost all of Latimer's work is silent, yet nothing in it is truly quiet: her images evoke the hums, clicks, and mechanical groans of the technologies with which they were made. Her work began long after most of the formats she employs had become obsolete. Rejecting the universal nostalgia for the old camera and the old image, Latimer's works look resolutely toward the present; they are at once playful, unruly, ethereal, and abstract. Supremely self-aware yet imbued with mystery, they resemble séances in which the ghosts of the machine manifest.\u003c\/span\u003e\u003c\/p\u003e","brand":"Christine Lucy Latimer","offers":[{"title":"Default Title","offer_id":56788890485067,"sku":"SQ6358550","price":36.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--fragile_systems.webp?v=1773411632","url":"https:\/\/re-voir.com\/en\/products\/latimer-fragile-systems","provider":"Re:Voir","version":"1.0","type":"link"}