{"product_id":"kramer-guns","title":"Guns (vol. 4)","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eDVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1980-1983\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish, French\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eRobert Kramer\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSous-titres \u003cstrong\u003e\u003cspan\u003efrançais, anglais, allemand, italien\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eLivret\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 56 pages (français, anglais)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 173 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eGUNS\u003c\/strong\u003e\u003cspan\u003e (1980) 95'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eNAISSANCE\u003c\/strong\u003e\u003cspan\u003e (1981) 42'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eLAPEUR\u003c\/strong\u003e\u003cspan\u003e (1983) 6'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAfter the political fresco composed by his American films and completed with \u003cem\u003eMilestones\u003c\/em\u003e (1975), then a documentary on the Carnation Revolution, \u003cem\u003eScenes from the Class Stuggle in Portugal\u003c\/em\u003e (1977), Robert Kramer settled in France. There he continued his work with \u003cem\u003eGuns\u003c\/em\u003e, a labyrinthine feature film echoing the paranoid Hollywood fictions of the 70s, which continues his exploration of the militant psyche while experimenting with narrative.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"There were two distinct lines of reality in \u003cem\u003eGuns\u003c\/em\u003e. One concerned the vast world. Tony (Patrick Bauchau), the journalist, speaks at one point of \"a story with neither head nor tail\". There is no longer any way to penetrate this big world. The other line of reality is our direct and personal experience, that is here Margot (Juliet Berto) who decides to accompany her mother toward death, and everything that goes with that choice. I was addressing the decline of a way of talking about things.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eRobert Kramer\u003c\/p\u003e","brand":"Robert Kramer","offers":[{"title":"Default Title","offer_id":56788889174347,"sku":"SQ2368264","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--rk4.webp?v=1773411613","url":"https:\/\/re-voir.com\/en\/products\/kramer-guns","provider":"Re:Voir","version":"1.0","type":"link"}