{"product_id":"iimura-film-independents-1964","title":"Film Independents 1964 : A Commercial For Myself","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDVD Interzone\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eOriginal format \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eYear \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e1964\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003eArtist(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGenpei Akasegawa, Hiroshi Sakurabayashi, Yasunao Tone, Yoshiyuki Oka, Takahiko Iimura, Sho Kazakura, Ryu Koike, Toshiaki Suzuki, Hideko Nagaoka, Ryu Koike, Sakio Hirata, Nobuhiko Ohbayashi, Katsuhiro Tomita, Donald Richie, Mary Evans\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eSubtitles \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJapanese, English\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cbr\u003eRunning time \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e57 min\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eHOMOLOGY\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eJIKEN (AN INCIDENT) \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003e2,880K=120″\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSOUGON (AN IMPORTANT STATEMENT)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eURA TO OMOTE (INSIDE \u0026amp; OUTSIDE)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMUDAI (UNTITLED)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eTORUMARUKIYO NO KYO-EN (BANQUET OF TORUMARUKIYO)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eNAGARERU (FLOW) \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eMY DOCUMENTARY \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eSEI-UCHU (SEXUAL SPACE)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eRINNE (SAMSARA)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eKATORAN -4GYOSHI- NO KENKYU (A STUDY OF KATORAN – 4 LINES POEM) COMPLEXE \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eUNTITLED\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eJINSEI (LIFE)\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cspan\u003eGOMI (GARBAGE)\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eHere is the very first and oldest collection of Japanese pop art films since Bruce Conner's \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA MOVIE\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e (1958)!\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAfter the closure of the \"Yomiuri Independent\" art exhibition, organized by a press publisher in 1963, Takahiko Iimura, Koichiro Ishizaki, Nobuhiko Ohbayashi, Yoichi Takabayashi, Kenji Kanesaka, Jyu‑shin Sato, and Donald Richie launched an independent film festival to highlight the differences between non-commercial or non-narrative cinema and conventional cinema.  \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eWith only one rule: 1 reel of film = 2 minutes running time, this open exhibition was addressed not only to filmmakers but also to other artists, including Genpei Akasegawa, Sho Kazakura, Yasunao Tone, and Sakio Hirata.  \u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eThis selection of 16 films was rediscovered in a hidden collection of avant-garde films after 50 years! This DVD also includes interviews with Takahiko Iimura, audio commentaries, and discussions with Ohbayashi. It also features the \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eFilm Independents Manifest\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and other published documents. The roots of 1960s Japanese underground culture are gathered here!\u003c\/span\u003e\u003c\/p\u003e","brand":"Takahiko Iimura","offers":[{"title":"Default Title","offer_id":56788881965387,"sku":"SQ4257504","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/DVD--Film_Independents_1964.webp?v=1773411490","url":"https:\/\/re-voir.com\/en\/products\/iimura-film-independents-1964","provider":"Re:Voir","version":"1.0","type":"link"}