{"product_id":"gottheim-elective-affinities","title":"Elective Affinities","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003e2 x DVD Interzone\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1973-1981\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eLarry Gottheim\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Larry Gottheim\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eBooklet\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e 72 pages (French, English)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 268 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eFilms\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eHORIZONS \u003c\/strong\u003e(1973) 77'\u003cbr\u003e\u003cstrong\u003eMOUCHES VOLANTES \u003c\/strong\u003e(1976) 69'\u003cbr\u003e\u003cstrong\u003eFOUR SHADOWS \u003c\/strong\u003e(1978) 65'\u003cbr\u003e\u003cstrong\u003eTREE OF KNOWLEDGE \u003c\/strong\u003e(1981) 57'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"During the first screening of \u003cem\u003eHorizons\u003c\/em\u003e in London, I watched it with open and illuminated eyes, and I found it very beautiful. Later, I listened to Gottheim talk about the film. I discovered the complex network of correspondences and visual rhymes in the film. During my second and third viewings, I paid close attention to seeing and understanding the correspondences and rhymes. But I found the film just as beautiful, if not more so. The fourth viewing was once again a viewing without any particular intention, eyes wide open. At the Cooper Union screening, I suddenly discovered the incredible richness of the colors. I sat near the screen and saw these dazzling colors, and I was amazed that I could watch Horizons four times without noticing the splendor of its colors.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eJonas Mekas\u003c\/p\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cem\u003e\"Mouches Volantes\u003c\/em\u003e unveils and folds back before us, just like the waves on the beach in sections 5 and 6. The shots themselves become familiar images, as does the magical and mysterious soundtrack. The tonality of the film shifts from high-contrast black and white to muted color and vice versa. All this cyclical lyricism creates a fullness, an organic whole.\"\u003cbr\u003e\u003cspan\u003e— \u003c\/span\u003eRaymond Foery\u003c\/p\u003e","brand":"Larry Gottheim","offers":[{"title":"Default Title","offer_id":56788878491979,"sku":"SQ2320156","price":22.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_DVD--affinities.webp?v=1773411449","url":"https:\/\/re-voir.com\/en\/products\/gottheim-elective-affinities","provider":"Re:Voir","version":"1.0","type":"link"}