{"product_id":"from-the-journal-of-jean-seberg-vod","title":"From the Journal of Jean Seberg","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e HD\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1995-2016\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eMark Rappaport\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e, French\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 151 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFROM THE JOURNALS OF JEAN SEBERG\u003c\/strong\u003e (1995) 97'\u003cbr\u003e\u003cstrong\u003eBECOMING ANITA EKBERG \u003c\/strong\u003e(\u003cspan\u003e2014) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDEBRA PAGET, FOR EXAMPLE \u003c\/strong\u003e(\u003cspan\u003e2016) 37'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Rappaport has virtually invented a new form of film criticism with \u003cem\u003eRock Hudson's Home Movies\u003c\/em\u003e, a blend of clips and commentary... \u003cem\u003eFrom the Journals of Jean Seberg\u003c\/em\u003e impressively builds on that remarkable achievement. With Mary Beth Hurt playing the actress, Rappaport's 'fictional essays' reach territories that traditional documentaries largely struggle to explore.\"\u003cbr\u003e— Jonathan Rosenbaum\u003c\/p\u003e\n\u003cp class=\"my-0\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Rappaport's stylistic approach in this film is fascinating. He uses everything at his disposal, adapts it to his needs, invents what he doesn't know, and relies heavily on the technique of showing us film clips while telling us what to see in them. If it's true, as Jean-Luc Godard once said, that 'the history of cinema is the history of boys photographing girls,' then one of the tasks of film historians should be to discover what happened to the girls in that process.\"\u003cbr\u003e— Roger Ebert\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Mark Rappaport","offers":[{"title":"Default Title","offer_id":56788875706699,"sku":"SQ4805151","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_rappaport-from-the-journal-of-jean-seberg-vod.jpg?v=1773411423","url":"https:\/\/re-voir.com\/en\/products\/from-the-journal-of-jean-seberg-vod","provider":"Re:Voir","version":"1.0","type":"link"}