{"product_id":"found-footage-magazine-issue-8-octobre-2022","title":"#Issue 8 (Octobre 2022)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGracia Ramírez, Camilla Margarida, Jeffrey Skoller, Maureen Turim, Rachel Garfield, Michael Betancourt, \u003c\/span\u003eLukas Brašiškis, Matthew LaPaglia, Theodore Xenophontos, \u003cspan\u003eMarie-Pierre Burquier, Scott MacDonald, Mike Hoolboom, Andy Spletzer, Justin Remes, César Ustarroz, Matthew Cole Levine, Akosua Adoma Owusu, \u003c\/span\u003eEugeni Bonet and Eugènia Balcells, Cedric Arnold, Federica Foglia, Karissa Hahn, Johanna Vaude, Pedro Maia and Antoni Pinent\u003cbr\u003e\u003c\/strong\u003eFormat \u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2022\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e English\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 142 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM fills the void created by the fact that there has never been, until now, any venue for the collection and sharing of information, critical thinking and discussion on found footage cinema including all its manifestations: recycled cinema, essay film, collage film, compilation film, archival films, mash-up...\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM welcomes a selection of articles and sections intended to explore ethical, political, formal questions and content related to the culture of recycled cinema: monographs, interdisciplinary essays, interviews and opinion pieces concerning the eclectic universe of found footage filmmaking.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/u\u003e:\u003cem\u003e\u003cbr\u003eSpecial on Abigail Child\u003c\/em\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAbigail Child: We cannot control the pacing of this movie,\u003c\/strong\u003e\u003cspan\u003e by Gracia Ramírez\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e'I want to speak with my time' radical biography in Abigail Ahild's \u003cem\u003eActs and Intermissions\u003c\/em\u003e\u003c\/strong\u003e, \u003cspan\u003eby Jeffrey Skoller\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003ePoetic questions and empathic ruptures: \u003cem\u003eThe Future Is Behind You\u003c\/em\u003e\u003c\/strong\u003e, \u003cspan\u003eby Maureen Turim\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eThe Suburban Trilogy\u003c\/em\u003e: Abigail Child's \u003cem\u003eCake and Steak\u003c\/em\u003e\u003c\/strong\u003e, \u003cspan\u003eby Rachel Garfield\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eA little of the transcendental universe of Abigail Child\u003c\/strong\u003e, \u003cspan\u003ean interview by Camilla Margarida\u003c\/span\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eESSAYS\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eStan VanDerBeek's Danse Macabre: Found sound, appropriated music, and rehearing,\u003c\/strong\u003e by Michael Betancourt\u003cbr\u003e\u003cstrong\u003eInto the Unknown known: Images of depersonalized people in post-socialist found footage films\u003c\/strong\u003e, by Lukas Brasiskis\u003cbr\u003e\u003cstrong\u003eRe-Enacting the Archives in Sam Ashby's The Colour of His Hair\u003c\/strong\u003e, by Matthew LaPaglia\u003cbr\u003e\u003cstrong\u003eAmerican History Recontextualized: James Benning's American Dreams (Lost and Found)\u003c\/strong\u003e, by Theodore Xenophontos\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBOOK REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\u003cp class=\"p1\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003eMaking Images Move: Handmade Cinema and the Other Arts\u003c\/em\u003e, \u003c\/strong\u003e\u003cspan\u003eby César Ustarroz - \u003c\/span\u003e\u003cstrong\u003eGregory Zinman. \u003c\/strong\u003eOakland: University of California Press, 2020\u003cbr\u003e\u003cstrong\u003e\u003cem\u003ePersistent Images: Encountering Film History in Contemporary Cinema\u003c\/em\u003e,\u003c\/strong\u003e\u003cspan\u003e by Matthew Cole Levine\u003c\/span\u003e\u003cstrong\u003e - Andrew Utterson. \u003c\/strong\u003eEdinburgh: Edinburgh University Press, 2020\u003cbr\u003e\u003cstrong\u003eDÉMONTAGE: \u003cem\u003eWHITE AFRO\u003c\/em\u003e\u003c\/strong\u003e, \u003cspan\u003eby Akosua Adoma Owusu\u003c\/span\u003e\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788874101067,"sku":"SQ2861823","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/found-footage-magazine-issue-8-october-2022.webp?v=1773411412","url":"https:\/\/re-voir.com\/en\/products\/found-footage-magazine-issue-8-octobre-2022","provider":"Re:Voir","version":"1.0","type":"link"}