{"product_id":"found-footage-magazine-issue-4-mars-2018","title":"#Issue 4 (Mars 2018)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eScott MacDonald, Bill Morrison, Jonathan Rosenbaum, Virgil Widrich, Alejandro Bachmann, Matthew LevineThe, David J. Gunkel, Oli Sorenson, Yann Beauvais, Gracia Ramirez, Mike Hoolboom, Julie Murray, Malcolm Le Grice, Stephen Broomer\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e 2018\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e English\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM fills the void created by the fact that there has never been, until now, any forum for the collection and sharing of information, critical thought and discussion on found footage cinema including all its manifestations: recycled cinema, essay film, collage film, compilation film, archival films, mash-up...\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM welcomes a selection of articles and sections designed to explore the ethical, political, formal questions and content related to the culture of recycled cinema: monographs, interdisciplinary essays, interviews and opinion pieces concerning the eclectic universe of found footage filmmaking.\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eContents:\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eControlled Chaos: The Cinematic Unconscious of Peter Tscherkassky, \u003c\/strong\u003eby Matthew Levine\u003cbr\u003e\u003cstrong\u003eThe Trace of a Walk That Has Taken Place – a Conversation with Peter Tscherkassky, \u003c\/strong\u003eby Alejandro Bachmann\u003cbr\u003e\u003cstrong\u003eAroma for the Eye,\u003c\/strong\u003e by Virgil Widrich\u003cbr\u003e\u003cstrong\u003eLost Material and Found Footage: Peter Tscherkassky's Dark Room—and Ours, \u003c\/strong\u003eby Jonathan Rosenbaum\u003cbr\u003e\u003cstrong\u003eA Sudden Passion 2: The Dockworker's Dream by Bill Morrison,\u003c\/strong\u003e by Scott MacDonald\u003cbr\u003e\u003cstrong\u003eRemixology: An Axiology for the 21st Century and Beyond,\u003c\/strong\u003e by David J. Gunkel\u003cbr\u003e\u003cstrong\u003eRemixing Found Footage in the Age of Mass-Oriented Networks,\u003c\/strong\u003e by Oli Sorenson\u003cbr\u003e\u003cstrong\u003eLost Objects: A Personal Journey Through Found Footage,\u003c\/strong\u003e by Yann Beauvais\u003cbr\u003e\u003cstrong\u003eCzechoslovakia 1968: Smuggled Footage, Cinematic Excess and the Politics of Cold War Propaganda,\u003c\/strong\u003e by Gracia Ramirez\u003cbr\u003e\u003cstrong\u003eThe Rule and the Exception, \u003c\/strong\u003eby Mike Hoolboom\u003cbr\u003e\u003cstrong\u003eFor It to Be Found It Need Not Have Been Lost in the First Place: Thoughts and Notes on the Form, \u003c\/strong\u003eby Julie Murray\u003cbr\u003e\u003cstrong\u003eFound Footage: Some Thoughts, \u003c\/strong\u003eby Malcolm Le Grice\u003cbr\u003e\u003cstrong\u003eA Hummingbird in Reverse: On Richard Kerr's \u003cem\u003eMorning…Came a Day Early\u003c\/em\u003e, \u003c\/strong\u003eby Stephen Broomer\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eBOOK REVIEWS\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cem\u003eFilm History as Media Archaeology: Tracking Digital Cinema\u003c\/em\u003e (Thomas Elsaesser, 2016), \u003c\/strong\u003eby Eszter Polonyi\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eJoseph Cornell Versus Cinema\u003c\/em\u003e (Michael Pigott, 2013),\u003c\/strong\u003e by César Ustarroz\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eEXPLOSIVE VISIONS\u003cbr\u003e\u003cstrong\u003eAn Interview with Winston Hacking,\u003c\/strong\u003e by Clint Enns\u003cbr\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eILLUSTRATIONS \u003c\/strong\u003eby Félix Dufour-Laperrière \u0026amp; Dominic Etienne Simard, Michael Fleming, Cécile Fontaine, Michael Higgins, Josh Lewis, Pablo Marín, Sam Spreckley and Peter Tscherkassky.\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788872724811,"sku":"SQ6371067","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/f4.webp?v=1773411408","url":"https:\/\/re-voir.com\/en\/products\/found-footage-magazine-issue-4-mars-2018","provider":"Re:Voir","version":"1.0","type":"link"}