{"product_id":"found-footage-magazine-issue-3-march-2017","title":"#Issue 3 (March 2017)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eYervant Gianikian, Angela Ricci Lucchi\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eFormat \u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2017\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e English\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 142 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM fills the void created by the fact that there has never been, until now, any forum for the collection and sharing of information, critical thinking and discussion on found footage cinema including all its manifestations: recycled cinema, essay film, collage film, compilation film, archival films, mash-up...\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFFM welcomes a selection of articles and sections designed to explore the ethical, political, formal issues and content related to the culture of recycled cinema: monographs, interdisciplinary essays, interviews and forums concerning the eclectic universe of found footage filmmaking.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eSummary\u003c\/span\u003e\u003c\/u\u003e:\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eOur Analytical Camera\u003c\/strong\u003e by Yervant Gianikian and Angela Ricci Lucchini\u003cbr\u003e\u003cstrong\u003ePages of Diary\u003c\/strong\u003e by Angela Ricci Lucchi\u003cbr\u003e\u003cstrong\u003eA letter to Angela and Yervant\u003c\/strong\u003e by Atom Egoyan\u003cbr\u003e\u003cstrong\u003eYervant Gianikian and Angela Ricci Lucchi : Archive, Technology and Body\u003c\/strong\u003e by Paula Arantzazu Ruiz\u003cbr\u003e\u003cstrong\u003eA Poetics of care : slowness, etics and enchantment in Gianikian and Ricci Lucchi's oeuvre\u003c\/strong\u003e by Miriam de Rosa\u003cbr\u003e\u003cstrong\u003eRe-routing the image : the use of haptic interventions in Gianikian and Lucchi's work\u003c\/strong\u003e by Arine Kirstein Hogel\u003cbr\u003e\u003cstrong\u003eGlitched media as found\/transformed footage : post-digitality in Takeshi Murata's Monster Movie\u003c\/strong\u003e by Michael Betancourt\u003cbr\u003e\u003cstrong\u003eThe Succes and failure of Arthur Lipsett\u003c\/strong\u003e by Stephen Broomer\u003cbr\u003e\u003cstrong\u003eHarun Farocki and the archive. What image show, what image conceal\u003c\/strong\u003e by Sergi Alvarez Riosalido\u003cbr\u003e\u003cstrong\u003eDepicting Cinema(s) : film history as experiment. Thom Andersen's Los Angeles plays itself\u003c\/strong\u003e by David de Rozas\u003cbr\u003e\u003cstrong\u003eFreude\u003c\/strong\u003e by Thomas Draschan\u003cbr\u003e\u003cstrong\u003eOdds and ends\u003c\/strong\u003e by Edwin Rostron\u003cbr\u003e\u003cstrong\u003eBenning goes digital : an interview\u003c\/strong\u003e by Scott MacDonald\u003cbr\u003e\u003cstrong\u003ePretending the camera isn't there : Joshua Oppenheimer's Postcard from Sun City, Arizona\u003c\/strong\u003e by Matthew Levine\u003cbr\u003e\u003cstrong\u003eDreams Rewired\u003c\/strong\u003e by Martin Zeilinger\u003cbr\u003e\u003cstrong\u003eLiving Memories : thinking amateur filmmaking practices through archive footage\u003c\/strong\u003e by Antonin Charret\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cu\u003e\u003cspan\u003eBook and DVD Reviews\u003c\/span\u003e\u003c\/u\u003e\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCinema by other means (Pavle Levi, 2012)\u003c\/strong\u003e by Nazare Soares\u003cbr\u003e\u003cstrong\u003eVerifica Incerta (Disperse Exclamatory Phase) (Gianfranco Baruchello and ALberto Grifi, 1964-1965)\u003c\/strong\u003e by Cesar Ustarroz\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eActive encounters, a conversation between Alejandro Bachmann and Kevin B. Lee\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788872528203,"sku":"SQ2228799","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/f3.webp?v=1773411407","url":"https:\/\/re-voir.com\/en\/products\/found-footage-magazine-issue-3-march-2017","provider":"Re:Voir","version":"1.0","type":"link"}