{"product_id":"found-footage-magazine-issue-2-may-2016","title":"#Issue 2 (May 2016)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGreg Youmans, Matthew Levine, Abigail Child, Dirk de Bruyn, Brian L. Frye, Clint Enns, Nazare Soares, Jonathan Rosenbaum, Alejandro Bachmann, André Habib, Scott MacDonald\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e 2016\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e English, Spanish\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e 176 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eSpecial edition on Barbara Hammer:\u003cbr\u003e\u003cstrong\u003eAudacious Appropriations: Barbara Hammer's\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFirst Half-Century, \u003c\/strong\u003eby Greg Youmans\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe scope, inventiveness and audacity of Barbara Hammer's career compel us to expand the framework from found footage to broader appropriation. Her use of audiovisual archival material (what is traditionally called found footage from archives) came after and alongside more fundamental uses of various cinematic means of production, from cameras and optical printing to a range of digital hardware and software, as well as the generic codes and practices of pornography and documentary. And these actions have always been linked to her uses of physical space. In all her films and beyond, Hammer wrests space (and time) away from hetero-patriarchal coding and control.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eInterview with Barbara Hammer\u003c\/strong\u003e, by Matthew Levine\u003cbr\u003e\u003cstrong\u003eBecoming Visible\u003c\/strong\u003e, by Abigail Child\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eESSAYS\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eTwo Films by Jean-Claude Bustros\u003c\/strong\u003e, by Dirk de Bruyn\u003cbr\u003e\u003cstrong\u003eCopyright in a Nutshell for Found Footage Filmmakers\u003c\/strong\u003e, by Brian L. Frye\u003cbr\u003e\u003cstrong\u003eImages Beyond Time: Cinema as Photographic Archive\u003c\/strong\u003e, by Clint Enns\u003cbr\u003e\u003cstrong\u003eHistory Decays into Images not Stories: A Journey with Walter Benjamin from Future to Past\u003c\/strong\u003e, by Nazare Soares\u003cbr\u003e\u003cstrong\u003eIndexing versus Taxonomy: I, Dalio—or The Rules of the Game and The Thoughts That Once We Had\u003c\/strong\u003e, by Jonathan Rosenbaum\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAND ALSO…\u003cbr\u003e\u003cbr\u003eView them for what they are, reveal what they are hiding: A Conversation with Michael Robinson\u003c\/strong\u003e, by Alejandro Bachmann\u003cbr\u003e\u003cstrong\u003eSomewhere I have never travelled: Engram of Returning\u003c\/strong\u003e, by André Habib\u003cbr\u003e\u003cstrong\u003eThe Last Broadcast\u003c\/strong\u003e, by Peter Snowdon\u003cbr\u003e\u003cstrong\u003eSomething Old, Something New—two DVDs from Gustav Deutsch\u003c\/strong\u003e, by Scott MacDonald\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFILM REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFILM REVIEWS: CUT'N'PASTE\u003c\/strong\u003e, by Albert Alcoz, Matthew Levine, Mark J. Ostrowski, Marta Álvarez and César Ustarroz\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e· Standby for Tape Back-Up (Ross Sutherland, 2015)\u003cbr\u003e· Wild Currents (Stephen Broomer, 2014)\u003cbr\u003e· The Great Flight (Carolina Astudillo, 2014)\u003cbr\u003e· By the Time We Got to Expo (Eva Kolcze \u0026amp; Philip Hoffman, 2015)\u003cbr\u003e· Parallax Paradox (Joan Leandre, 2009-2014)\u003cbr\u003e· Cut Out (Guli Silberstein, 2014)\u003cbr\u003e· The Tin Hat (Giuseppe Boccassini, 2014)\u003cbr\u003e· Miss Cinema – Archivio Mossina (Paolo Simoni, Rinaldo Censi, Ilaria Ferretti \u0026amp; Mirco Santi \/ Home Movies Italy, 2015)\u003cbr\u003e· (Self) exhibitions (Florencia Aliberti, 2012-2015)\u003cbr\u003e· A Film Remembered (Andrés Duque, 2015)\u003cbr\u003e· Second Sighted (Deborah Stratman, 2014)\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eBOOK REVIEWS\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eScratch, Crackle \u0026amp; Pop! (Steven Woloshen, 2013)\u003c\/strong\u003e, by Albert Alcoz\u003cbr\u003e\u003cstrong\u003eOff-Screen Cinema: Isidore Isou and the Lettrist Avant-garde (Karia M. Cabañas, 2014)\u003c\/strong\u003e, by James Luce\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eINTERVIEW WITH VICKI BENNETT\u003c\/strong\u003e, by Kenneth Goldsmith \u003ca target=\"_blank\" rel=\"noreferrer noopener\" class=\"btn btn-default\" href=\"http:\/\/foundfootagemagazine.com\/en\/interview-with-vicki-bennett\/\"\u003eREAD HERE\u003c\/a\u003e\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788872462667,"sku":"SQ7945179","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/f2.webp?v=1773411406","url":"https:\/\/re-voir.com\/en\/products\/found-footage-magazine-issue-2-may-2016","provider":"Re:Voir","version":"1.0","type":"link"}