{"product_id":"found-footage-magazine-issue-1-october-2015","title":"#Issue 1 (October 2015)","description":"\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eAuthor(s) \u003c\/span\u003e\u003cstrong\u003eMatthew Levine, Adrian Danks, Dirk de Bruyn, Thomas Elsaesser, Jonathan Palomar, Ingrid Guardiola, Alan Berliner, Jaimie Baron, Mike Hoolboom, César Ustarroz, Albert Alcoz, Matthew Levine\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eFormat \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003emagazine\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eYear\u003c\/span\u003e\u003cstrong\u003e 2015\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003eLanguage(s)\u003c\/span\u003e\u003cstrong\u003e English, Spanish\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003ePages\u003c\/span\u003e\u003cstrong\u003e 156 pages\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eSPECIAL EDITION BILL MORRISON:\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA Poetic Archaeology of Cinema: The Films of Bill Morrison, by Matthew Levine.\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eThe films of Bill Morrison often combine archival footage with contemporary music pieces composed by internationally recognized composers. His masterpiece 'Decasia' (67 min, 2002), a collaboration with composer Michael Gordon, was selected for the National Film Registry of the Library of Congress of the United States, becoming the most modern film named to be part of the list that preserves works of \"great cultural, historical or aesthetic importance to the national cinematic heritage\".\u003c\/span\u003e\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eInterview with Bill Morrison, by FFM\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e ESSAYS\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFacing Time, by Adrian Danks\u003cbr\u003eKnights Moves, by Dirk de Bruyn\u003cbr\u003eThe Ethics of Appropriation: Found Footage between Archive and Internet, by Thomas Elsaesser\u003cbr\u003eSantiago Álvarez: The Revolutionary Filmmaker as Materialist Historian, by Jonathan Palomar\u003cbr\u003eFound footage and television: Images that flash lightning in a hazardous instant, by Ingrid Guardiola\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eARTICLES\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e· Artists in an Archive, by Alan Berliner\u003cbr\u003e· Making a Name, by Mike Hoolboom\u003cbr\u003e· Sonic Findings: Festival (In)appropriation #7, by Jaimie Baron\u003cbr\u003e· Women Under the Influence: \u003ca target=\"_blank\" rel=\"noreferrer noopener\" href=\"https:\/\/vimeo.com\/89183830\"\u003eThe Claustrum\u003c\/a\u003e by Jay Rosenblatt, by César Ustarroz\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFILM REVIEWS: CUT ´N´ PASTE, by Albert Alcoz \u0026amp; Matthew Levine\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e· Iterations (Gregg Biermann, 2014)\u003cbr\u003e· A Movie by Jen Proctor (Jennifer Proctor, 2010\/12)\u003cbr\u003e· Las variaciones Schwitters (Alberto Cabrera Bernal, 2012)\u003cbr\u003e· Let Me ASMR You (Clint Enns, 2014)\u003cbr\u003e· Iowneom Streets (Lucía Moreno, 2014)\u003cbr\u003e· Pure Virtual Function (Péter Lichter, 2015)\u003cbr\u003e· Weresheglanspertheere (Sebastian Buerkner, 2014)\u003cbr\u003e· Pen Up the Pigs (Kelly Gallagher, 2014)\u003cbr\u003e· Konrad \u0026amp; Kurfurst (Esther Urlus, 2013\/14)\u003cbr\u003e· Full of Fire (Rhayne Vermette, 2013)\u003cbr\u003e· Threnody for the Victims of Marikana (Aryan Kaganof, 2014)\u003cbr\u003e· Psychic Driving (William E. Jones, 2014)   \u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eBOOK REVIEWS\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e· The Archive Effect: Found footage and the audiovisual experience of history.\u003cbr\u003eAuthor: Jaimie Baron. (London, Routlege, 2013)\u003cbr\u003e· Found Footage: Cinema Exposed.\u003cbr\u003eEditors: Giovanna Fossati and Jaap Guldemond. (Amsterdam, Amsterdam University Press\/EYE Film Institute Netherlands, 2012)\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eINTERVIEW WITH ECLECTIC METHOD, by Óscar Testón \u0026amp; Enrique Ramírez (www.vjspain.com)\u003c\/h4\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eWORKS by\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAlbert Alcoz \u0026amp; Blanca Viñas, Dirk De Bruyn, Esther Urlus, Jennifer Reeves, Rhayne Vermette, Alberto Cabrera Bernal, Steven Woloshen, Péter Richter, Gustav Deutsch.\u003c\/p\u003e","brand":"Found Footage Magazine","offers":[{"title":"Default Title","offer_id":56788872298827,"sku":"SQ1307181","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/f1.webp?v=1773411404","url":"https:\/\/re-voir.com\/en\/products\/found-footage-magazine-issue-1-october-2015","provider":"Re:Voir","version":"1.0","type":"link"}