{"product_id":"ecrits-sur-le-cinema","title":"Écrits sur le Cinéma","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s) \u003cstrong\u003eGermaine Dulac, Prosper Hillairet, Scott Hammen, Tami M. Williams\u003c\/strong\u003e\u003cem\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/em\u003eFormat \u003cstrong\u003epaperback\u003c\/strong\u003e\u003cbr\u003eLanguage \u003cstrong\u003eFrench\u003c\/strong\u003e\u003cbr\u003ePages \u003cstrong\u003e336 pages\u003c\/strong\u003e\u003cbr\u003eYear \u003cstrong\u003e2021\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eA pioneer of cinema, Germaine Dulac (1882-1942) is one of the major figures of the French avant-garde of the 1920s. An important personality, she initiated and headed numerous organizations and, in parallel, led a tireless campaign for the defense of women's rights.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIn her work, Dulac experimented with cinema's new expressive possibilities. She directed some twenty films starting in 1916. La Souriante Mme Beudet (1923) and La Coquille et le clergyman (1927), based on Antonin Artaud, are among her landmark films. \u003cem\u003eLes Ecrits sur le cinéma\u003c\/em\u003e presents another facet of the filmmaker and feminist, Dulac the writer, theorist, lecturer. The publication brings together the principal texts, interviews, and lectures in which Dulac develops, in a passionate style, her conceptions of cinema.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eShe advocates for an unfettered cinema of creation, attempting to trace the specificities of this new art around the watchword of the French avant-garde: cinema as movement. All the major questions of the era are addressed, such as the advent of sound or color, education through film, and more generally a reflection on the image and the modernity that cinema represented at the time.\u003c\/p\u003e\u003cp style=\"text-align: start; ; white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis reflection on representation, a true immersion in the film theories of the 1920s, has lost none of its vigor or coherence at a time when new technologies and image practices are emerging.\u003c\/p\u003e","brand":"Germaine Dulac","offers":[{"title":"Default Title","offer_id":56788864794955,"sku":"SQ3748270","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Ecrits_sur_le_cinema.webp?v=1773411349","url":"https:\/\/re-voir.com\/en\/products\/ecrits-sur-le-cinema","provider":"Re:Voir","version":"1.0","type":"link"}