{"product_id":"deux-fois-vod","title":"Deux Fois","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e35mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1969\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003eJackie Raynal\u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eAuthor(s)\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003e Claire Renier\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eSubtitles \u003cstrong\u003e\u003cspan\u003eEnglish\u003c\/span\u003e, Spanish, Italian, German\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 138 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDEUX FOIS\u003c\/strong\u003e (1969) 114'\u003cbr\u003e\u003cstrong\u003eAUTOUR DE BARATIER\u003c\/strong\u003e (2005) 24'\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Women's cinema makes us rediscover what the imperialism of the eye had repressed: other modes of editing impulses where what is seen and heard changes the perspective.\"\u003cbr\u003e— Serge Daney, \u003cem\u003eLes Cahiers du cinéma\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"This film is a deliberately elementary meditation on certain primary functions of film that can be said to underlie editing as such—anticipation, exploration of the image, perceptual memory, relationships between off-screen and on-screen space, all explored in a series of autonomous sequence shots of exemplary simplicity.\"\u003cbr\u003e— Noël Burch\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"Some thirty shots, a few words. But all this would not be worth recounting if \u003cem\u003eDeux Fois\u003c\/em\u003e were not the film that it is: one of the works—and I weigh my words in these times of verbal inflation—the most powerful and, at the same time, the most enigmatic that one can see. It took me three screenings—spread over several years—to accept that I understood nothing about \u003cem\u003eDeux Fois\u003c\/em\u003e.\"\u003cbr\u003e— Louis Skorecki, \u003cem\u003eSemaine des Cahiers\u003c\/em\u003e\u003ca href=\"https:\/\/vimeo.com\/ondemand\/deuxfois\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Jackie Raynal","offers":[{"title":"Default Title","offer_id":56788854997323,"sku":"SQ2810006","price":7.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/raynal-deux_fois.webp?v=1773411313","url":"https:\/\/re-voir.com\/en\/products\/deux-fois-vod","provider":"Re:Voir","version":"1.0","type":"link"}