{"product_id":"d-noguez-cinma","title":"Cinéma \u0026","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eAuthor(s)\u003c\/strong\u003e Dominique Noguez\u003cbr\u003e\u003cstrong\u003eYear\u003c\/strong\u003e 2010\u003cbr\u003e\u003cstrong\u003eLanguage(s)\u003c\/strong\u003e French\u003cbr\u003e\u003cstrong\u003ePages\u003c\/strong\u003e 216 pages\u003cbr\u003e\u003cstrong\u003ePublisher\u003c\/strong\u003e Paris Expérimental\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis book examines cinema's relationship with the arts, disciplines, contents, etc. that nourish it or that it nourishes. In these encounters, one term takes priority over the others, like a star outshining its satellites. Cinema is the star here, because it is \u003cem\u003eby nature\u003c\/em\u003e central and satellizing: more than any other art, it is drawn to connections, flirtations, fusions.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eIt is also capable of the inverse movement. Creating a void around itself, it can turn inward, in search of its essence. This is the theme of the final chapter: after cinema \u003cem\u003ewith\u003c\/em\u003e, cinema \u003cem\u003ewithout\u003c\/em\u003e.\u003c\/p\u003e","brand":"Dominique Noguez","offers":[{"title":"Default Title","offer_id":56788851491147,"sku":"SQ4324775","price":20.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/cinema_26.webp?v=1773411298","url":"https:\/\/re-voir.com\/en\/products\/d-noguez-cinma","provider":"Re:Voir","version":"1.0","type":"link"}