{"product_id":"condition-of-illusion-vod","title":"Condition of Illusion","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format \u003cstrong\u003e\u003cspan\u003e16mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear \u003cstrong\u003e\u003cspan\u003e1969\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s) \u003cstrong\u003e\u003cspan\u003eFrench\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePeter Gidal\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 174 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eCLOUDS\u003c\/strong\u003e (1967) 10'\u003cbr\u003e\u003cstrong\u003eFOCUS\u003c\/strong\u003e (1971) 7'\u003cbr\u003e\u003cstrong\u003eUPSIDEDOWNFEATURE\u003c\/strong\u003e (1967-72) 62'\u003cbr\u003e\u003cstrong\u003eEPILOGUE\u003c\/strong\u003e (1978) 9'\u003cbr\u003e\u003cstrong\u003eGUILT\u003c\/strong\u003e (1988) 40'\u003cbr\u003e\u003cstrong\u003eFLAREOUT\u003c\/strong\u003e (1992) 15'\u003cbr\u003e\u003cstrong\u003eASSUMPTION\u003c\/strong\u003e (1997) 1'30\u003cbr\u003e\u003cstrong\u003eNO NIGHT NO DAY\u003c\/strong\u003e (1997) 14'\u003cbr\u003e\u003cstrong\u003eCODA I\u003c\/strong\u003e (2013) 2'\u003cbr\u003e\u003cstrong\u003eCODA II\u003c\/strong\u003e (2013) 2'\u003cbr\u003e\u003cstrong\u003eROOM (DOUBLE TAKE)\u003c\/strong\u003e\u003cspan\u003e (1967) 10'\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\"It's upside down, right side up, negative, inverted—as though Gidal had pushed all his medium's navigational tools to their absolute zero and, in doing so, groped towards a place that appears on no map, a kind of true magnetic north of cinema itself. The viewer, held in this liminal space, this threshold, is by turns (or simultaneously) hypnotized, disoriented, captivated, frustrated and delighted. And it's not just about cinema: \u003cem\u003eUpside Down Feature\u003c\/em\u003e is packed with radios performing Cage-like sweeps across their dials; typewriters; still cameras; even Man Ray photographs depicting dust on Duchamp's Large Glass. The leitmotif of clocks (their faces, naturally, inverted) is fitting: what we're witnessing, ultimately, may be a countdown, unfolding on the other side of the screen, of all screens; the exhilarating spectacle not only of a medium, but of media itself, in a state of immanence, of almost-emergence.\"\u003cbr\u003e— Tom McCarthy\u003ca href=\"https:\/\/vimeo.com\/ondemand\/gidal\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Peter Gidal","offers":[{"title":"Default Title","offer_id":56788849885515,"sku":"SQ7872761","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_gidal-condition-of-illusion-vod.webp?v=1773411291","url":"https:\/\/re-voir.com\/en\/products\/condition-of-illusion-vod","provider":"Re:Voir","version":"1.0","type":"link"}