{"product_id":"cahier-n-23-p-adams-sitney-le-film-structurel","title":"Cahier N° 23 : Le film structurel","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e P. Adams Sitney\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2006\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 32 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003e\u003cspan\u003eDescription\u003c\/span\u003e\u003c\/strong\u003e\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThe article by P. Adams Sitney, theorist of the New American Cinema and organizer, along with Jonas Mekas, of Anthology Film Archives, a true cinematheque of experimental cinema in New York, was published in \u003cem\u003eFilm Culture\u003c\/em\u003e no. 47 (1969) under the title \"Structural Film\".\u003c\/p\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eThis article examines structural cinema, which has primarily marked the evolution of American and foreign avant-garde cinema. A look at independent cinema from the twenty years preceding the article's publication and at isolated artists—who worked outside commercial cinema.\u003c\/p\u003e","brand":"P. Adams Sitney","offers":[{"title":"Default Title","offer_id":56788833173835,"sku":"SQ0703473","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier23-film-structurel.webp?v=1773411256","url":"https:\/\/re-voir.com\/en\/products\/cahier-n-23-p-adams-sitney-le-film-structurel","provider":"Re:Voir","version":"1.0","type":"link"}