{"product_id":"cahier-n-19-avant-toute-nouvelle-interview","title":"Cahier N° 19 : Avant toute nouvelle interview","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor \u003cstrong\u003eMaurice Lemaître\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2005\u003cbr\u003e\u003c\/strong\u003eLanguage\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages\u003cstrong\u003e 38 pages\u003cbr\u003e\u003c\/strong\u003ePublisher \u003cstrong\u003eParis Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eDescription\u003c\/h4\u003e\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAn emblematic figure of Lettrism, Maurice Lemaître looks back here at the historic years of the movement's founding, his encounter with his friend Isidore Isou, and his first works in the fields of poetry, the novel, painting, and cinema.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFrom his first article, written for Le Corbusier's magazine L'Homme et l'Architecture, to the pages of his metagraphic novel \u003cem\u003eCanailles\u003c\/em\u003e (1950), by way of the Libertaire survey on Céline, the first issues of his legendary magazine Ur or his newspaper Front de la Jeunesse, Lemaître responds to his interlocutors' questions and also revisits the circumstances surrounding the making of Isou's \u003cem\u003eTraité de Bave et d'éternité\u003c\/em\u003e and his own film \u003cem\u003eLe Film est déjà commencé ?\u003c\/em\u003e His relationships with Tristan Tzara and the Surrealists, as well as his advocacy for the Futurist Russolo and the Dada manifestos, round out a collection in which the question of his patronymic is also clarified.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eOpening the Cahier is an important text, circulated in the sixties, which synthesizes the successive contributions of his first two films: \u003cem\u003eLe Film est déjà commencé ?\u003c\/em\u003e (1951) and \u003cem\u003eUn Soir au cinéma\u003c\/em\u003e, followed by \u003cem\u003ePour faire un Film\u003c\/em\u003e (1962-63).\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eNumerous period photographs and documents, almost all previously unpublished, enrich and illustrate this issue.\u003c\/p\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAn essential work for grasping the historical, aesthetic, and political dimensions of Maurice Lemaître's oeuvre on the one hand, and of Lettrism on the other, as a radical avant-garde movement.\u003cbr\u003e\u003c\/p\u003e","brand":"Maurice Lemaître","offers":[{"title":"Default Title","offer_id":56788832026955,"sku":"SQ0883865","price":9.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier19-Lemaitre-interview.webp?v=1773411253","url":"https:\/\/re-voir.com\/en\/products\/cahier-n-19-avant-toute-nouvelle-interview","provider":"Re:Voir","version":"1.0","type":"link"}