{"product_id":"cahier-n-16-loin-du-vietnam","title":"Cahier N° 16 : Loin du Vietnam","description":"\u003cp class=\"\" style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eAuthor(s)\u003cstrong\u003e Laurent Véray\u003cbr\u003e\u003c\/strong\u003eFormat\u003cstrong\u003e softcover\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e 2004\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e French\u003cbr\u003e\u003c\/strong\u003ePages \u003cstrong\u003e64 pages\u003cbr\u003e\u003c\/strong\u003ePublisher\u003cstrong\u003e Paris Expérimental\u003c\/strong\u003e\u003c\/p\u003e\u003ch4 style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\u003cp style=\"white-space:pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003eA response to the alienation of dominant discourse and the simplistic use of images, this multiple, protean work—yet highly coherent in its totality—is an enclave in the history of protest cinema.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eThe experimental apparatus on which this film rests—mobilizing a large number of collaborators (filmmakers, actors, writers, journalists, technicians...) around Chris Marker throughout 1966—fully demonstrates that political concerns are not incompatible with aesthetic questions.\u003c\/span\u003e\u003c\/p\u003e","brand":"Laurent Véray","offers":[{"title":"Default Title","offer_id":56788831830347,"sku":"SQ2671678","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/BOOK--Cahier16-Vietnam.webp?v=1773411250","url":"https:\/\/re-voir.com\/en\/products\/cahier-n-16-loin-du-vietnam","provider":"Re:Voir","version":"1.0","type":"link"}