{"product_id":"australian-icons-vod","title":"Australian Icons","description":"\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003eFormat \u003cstrong\u003eVOD\u003c\/strong\u003e\u003cbr\u003eOriginal format\u003cstrong\u003e\u003cspan\u003e 16 mm\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eYear\u003cstrong\u003e\u003cspan\u003e 1977-1981\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eLanguage(s)\u003cstrong\u003e\u003cspan\u003e English\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eArtist(s) \u003cstrong\u003e\u003cspan\u003ePaul Winkler\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003eRunning time\u003cstrong\u003e 92 min\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eFilms\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eSYDNEY HARBOUR BRIDGE\u003c\/strong\u003e\u003cspan\u003e (1977) 12'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBONDI\u003c\/strong\u003e\u003cspan\u003e (1979) 14'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eAYERS ROCK\u003c\/strong\u003e\u003cspan\u003e (1981) 19'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eTIME OUT FOR SPORT\u003c\/strong\u003e\u003cspan\u003e (1996) 18'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eROTATION\u003c\/strong\u003e\u003cspan\u003e (1998) 17'\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eBONUS © Paul Winkler\u003c\/strong\u003e\u003cspan\u003e (2005)\u003c\/span\u003e\u003c\/p\u003e\n\u003ch4 style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cstrong\u003eDescription\u003c\/strong\u003e\u003c\/h4\u003e\n\u003cp style=\"white-space: pre-wrap;\" data-rte-preserve-empty=\"true\"\u003e\u003cspan\u003e\"Making films has always been for me a journey into the unknown. Each new film has its own trajectory. It can start with an idea and upon seeing the first rushes, the images tell me where to go or not to go. There is always a kind of tension between me and the photographed material. Something emerges. If all goes well, if the images connect with me and if I can almost hear the sound they want, there is a terrible joy that runs through me, body and mind. Incredible. To sum up: my approach to filming is first and foremost organic. Films are an intellectual and emotional synthesis filtered through the material. I try to let the images flow freely to the surface.\"\u003c\/span\u003e\u003cbr\u003e— \u003cspan\u003ePaul Winkler\u003c\/span\u003e\u003ca href=\"https:\/\/vimeo.com\/ondemand\/paulwinkler\" target=\"_blank\"\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Paul Winkler","offers":[{"title":"Default Title","offer_id":56788823310667,"sku":"SQ6771512","price":9.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1000\/3034\/9643\/files\/processed_winkler-australian-icons-vod.webp?v=1773411199","url":"https:\/\/re-voir.com\/en\/products\/australian-icons-vod","provider":"Re:Voir","version":"1.0","type":"link"}